Artistic Allegory Archives - ZO Magazine https://zomagazine.com/category/artistic-allegory-2/ Mon, 12 Jun 2023 14:57:17 +0000 en-US hourly 1 https://wordpress.org/?v=6.1.3 https://i0.wp.com/zomagazine.com/wp-content/uploads/2019/01/Separator-circle-w.jpg?fit=32%2C32&ssl=1 Artistic Allegory Archives - ZO Magazine https://zomagazine.com/category/artistic-allegory-2/ 32 32 65979187 The Color of Thought — The Essence of Nuance and Undefinable Artifacts https://zomagazine.com/the-color-of-thought/ Fri, 30 Sep 2022 19:03:35 +0000 https://zomagazine.com/?p=25224 The post The Color of Thought — The Essence of Nuance and Undefinable Artifacts appeared first on ZO Magazine.

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4th Quarter | The Color of Thought

Define Description: The Essence of Nuance and Undefinable Artifacts

By Tricia Stewart Shiu

The Color of Thought: The Essence of Nuance and Undefinable Artifacts Tricia Stewart Shiu

It’s delicious, isn’t it? The idea of describing an immaterial object with an unusual adjective. Bringing two worlds together. Bridging the continuum. Breaching the darkness.

Normally, sensory experiences are just that, experiences. Pulling away to objectively identify or define, can take away from the complexities and nuances of an otherwise juicy discovery and perhaps even taint the learning experience.

But what happens when an unexpected discovery occurs? One that supports learning, but also offers a not-so-pleasant glimpse into past historical events. How do we process, cull and disseminate the learning, while honoring just how far we’ve come?

After all, we humans evolve and grow for a reason.

ARTISTIC ALLEGORY | LE MOT JUSTE

That’s exactly what has occurred as ancient artifacts have surfaced after remaining hidden for thousands of years.

This phenomenon is most likely, directly connected to global warming and as large sections of the earth’s water sources evaporate, never-before-discovered mummified human remains and artifacts are surfacing.

Several such “artifacts” are thousands of years old, perfectly preserved humans, who met their untimely demise when they were used in human sacrifice rituals.

One example is the Children of Llullaillaco also known as the Mummies of Llullaillaco. They are three Inca child mummies discovered on March 16, 1999, by, National Geographic Society Explorer-in-Residence, a senior research fellow at The Mountain Institute and visiting professor at Catholic University, Salta, Argentina, Johan Reinhard.

Scientists have been astonished at just how well preserved these bodies were. From hair and skin to even more details, these mummified bodies offer a never experienced, unprecedented look into an unimaginable world.

National Geographic says, “Mummy’s hair reveals that young sacrifice victims were heavy users of coca and alcohol in their last years of life.”
It is astonishing to imagine, however, “In Inca religious ideology…coca and alcohol could induce altered states associated with the sacred. But the substances likely played a more pragmatic role as well, disorienting and sedating the young victims on the high mountainside to make them more accepting of their grim fates.”
The artifacts found, adds National Geographic, entombed with the young girl’s remains included: “spondylus shells, brought from the coast, feather headdresses from the Amazon Basin. Statues of gold and silver, adorned with finely woven miniature clothing, were also available only to the highest levels of society.”

George Santayana said in “The Life of Reason (1905), “Those who cannot remember the past are condemned to repeat it.” However, what if that history is horrific? What if although human sacrifice no longer is a commonplace practice, it is essential to validate and prove the manner of the human’s passing?
There will always be doubters about the historical significance of certain events and the importance of creating remembrances to ensure those events will never happen again.
When it comes to gray concerning ancient practices and cultural beliefs there’s no question that we can and should benefit from the learning of others, so we may move forward from tragic circumstances to ensure that they are never repeated.

Those gray areas, though, are the places where we live and breathe and experience presence, even as our past remains unchanged, and our future is uncertain.

It is within the gray areas, where curiosity lives, and the learning potential expands.

Perhaps it isn’t those potential spaces that we have the most to gain. And the nuanced spaces and undefinable events.

Still, when a thought comes to mind, there is always an attachment. The philosophical world connects thought and existence and has for centuries. Moreover, we can spend a lifetime writing, explaining, and defining the linear, concrete, and structured elements of thought, to no avail.

Perhaps, it is a balance between them, that we will finally find the answers we seek as the likelihood of discovering more ancient artifacts increases, over time.

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Trying vs. Doing — An Experimental Approach to Artistic Expression https://zomagazine.com/trying-vs-doing/ Mon, 01 Aug 2022 21:46:21 +0000 http://zomagazine.com/?p=24345 The post Trying vs. Doing — An Experimental Approach to Artistic Expression appeared first on ZO Magazine.

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August

Trying vs. Doing: An Experimental Approach to Artistic Expression

By Tricia Stewart Shiu

ZO Magazine Artisitc Allegory July Trying vs Doing – Read by Tricia Stewart Shiu

“You may not know in your mind where you are going, but you know it by doing.” Nassim Taleb


You walk into a gallery and peruse the vast array of art in the space. A piece catches your eye and you walk a bit closer. It evokes deep feelings that you haven’t experienced in quite some time. You step closer and notice the artist’s attention to detail. You marvel at the use of light in this remarkable painting and begin to feel swept away by long-forgotten feelings.

After a while, you move along within the gallery, but that original piece and the emotions it evoked still stick with you. You can’t shake them and they stay with you, long after you leave.

ARTISTIC ALLEGORY | LE MOT JUSTE

“Art, like life, should be free, since they are both experimental.” George Santayana

Art is truly metaphor for life and self-observation. As with the example of wandering through an art gallery, so is our meandering through life. Sometimes intense, sometimes boring, always an experiment. How willing are you observe? Do you stand on the sidelines and take everything in or do you dive, head first, into the deep end? Do you judge yourself for not understanding the art or do you judge the artist for not making the piece clear enough for you to understand?


“Art is realm of thought experiments that quicken, sharpen and sweeten our being in this world.” Wendy Steiner

Art is subjective. Art is emotionally evocative. Just as art is experimental, so is life. One person’s sublime experience is another person’s drivel. But, within those experiences are some hard truths. To discover these foundational places, where conclusions can be drawn, is to gain knowledge so that intentional steps can be taken.

The thing about art, though, is that it’s messy. The feelings and colors and chaotic incoming ideas can be overwhelming.

So why not test it out? An experiment is a set of actions taken to test a hypothesis. Charting a course through the overwhelming artistic sensory overload, can start by asking a question. Then, a thoroughly researched hypothesis comes next. Once a hypothesis is made, the experimental fun can begin! The fun of experimenting, is that it creates a stair step of understanding to cut through the mass of ideas and emotions that usually flow with creative projects and can, sometimes, block us from getting anything done or reaching a conclusion.


Here are some key steps to take when embarking on your artistic experimental journey:
What do you know? What don’t you know? Art and life, both have unknown variables and known variables and understanding and documenting them can make a huge difference, moving forward.
Hypothetical conclusion: Set up a hypothesis based on what you know and don’t know.
What if? Time to test your hypothesis. Try things on, try them out. Ask questions, bring in new variables and observe what happens.
What happened? Come to a conclusion based on the new evidence and on what you’ve learned.

“Science, my boy, is made up of mistakes, but they are mistakes which it is useful to make, because they lead little by little to the truth.” Jules Verne

Failure and Compassion. Two things to keep in mind throughout your experiment: Understanding that there is no “failure” on the artistic journey—or life—and keeping your tests ethical and sound will ensure that nothing will come between you and your result. Being kind and compassionate with yourself and others helps, too.

And guess what? You can always start again. There is always time and space for another creative endeavor—another experiment.

Remember your imaginary walk through that gallery? You are always free to play, test, observe and imagine. Those elements are key in experimenting and creating. Discovery can be a portal to knowledge and, eventually, action. Isn’t that the point to life, anyway?


“Life is ‘trying things to see if they work.” Ray Bradbury

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We Are Not All in the Same Boat https://zomagazine.com/not-in-the-same-boat/ Fri, 01 Jul 2022 19:06:27 +0000 http://zomagazine.com/?p=24271 The post We Are Not All in the Same Boat appeared first on ZO Magazine.

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July 2022

We are not all in the same boat

By Tricia Stewart Shiu

We are not all in the same boat – Read by Tricia Stewart Shiu

“We are not all in the same boat. We are all in the same storm. Some of us are on super-yachts. Some have just the one oar.’

– Damian Barr

There is no denying that everyone on the planet has been through ‘something’ over the last two years. We are all changed because of it and that can seem like a great equalizer. Shared hardship can do that to people. Shared hardship can also spark an artistic revolution.

Damian Barr’s quote went viral back in May of 2020 and was shared by millions, globally, including The Wall Street Journal and Oprah. The sentiment resonated deeply with a majority of people as our world was turned upside down, first by the global pandemic and then by the economic downturn, which followed.

ARTISTIC ALLEGORY | LE MOT JUSTE

Most found a connection with the idea that an increasing gap in financial disparity across the US, coupled with a lack of resources and access to basic necessities, like housing and transportation, can make a challenging situation either seem like a severe hardship or a minor inconvenience.

When faced with financial challenges and personal stressors, individuals and businesses alike, were forced to get creative in solving problems both big and small. To that end, artistic endeavors served as an outlet, a therapeutic springboard or even new revenue streams, depending on the circumstances.

For example, actor John Cho (Harold & Kumar, Star Trek, Searching) was inspired during the Pandemic Shutdown to write a children’s novel about the 1992 LA riots. NBC News reported that the novel, “Troublemaker,” which was released in March 2022 by Little, Brown and Company, was inspired by a perfect storm of events, “It was the pandemic, the murder of George Floyd and the protests that followed, along with the rise of coronavirus-related anti-Asian racism, that all began inspiring the 49-year-old Cho to seriously imagine what it would be like to be a preteen coming of age during a very turbulent and confusing time.”

Artistic expression and imagination does not have to be confined to traditional methods like painting, music and poetry. Throughout the shutdowns and economic downturns of the past few years, businesses  have had to pivot, change business models or scrap ideas completely and start from scratch. Restaurants moved seating outside and food delivery services expanded, nationally. Retail outlets that once had no connection to healthcare or health related products stocked masks, COVID-19 tests and hand sanitizer. New businesses sprung up, ready to fill the high demand for pandemic related items.

A Time Magazine article, The Pandemic Forced Thousands of Businesses to Close—But New Ones Are Launching at Breakneck Speed, says that COVID-19, “…acted like a forest fire that cleared brush for more resilient growth and fresh green shoots. Applications for new businesses jumped in the latter half of 2020 to the highest rates in the 17 years that the government has tallied such figures, according to a University of Maryland analysis. The pace has stayed high through 2021. Following the economic upheaval of the 2008 Great Recession, by contrast, business applications declined.”

Our “boat” and “storm” definitions have expanded based on unforeseen circumstances as has the definition of creativity and artistic expression.

In fact, it could be argued that we have come to rely on that ability to think and act creatively during uncertain times. Perhaps that creative outlet can be extended to others in the appreciation of masters artists. The statistics certainly point to a massive increase of sales in the art world.

According to the 2022 Art Basel and UBS Global Art Market Report, “Aggregate sales by dealers and auctioneers reached $65.1 billion, soaring by 29% from 2020.”

And get this, the leading artists, worldwide, sold in 2021 were: Pablo Picasso $671.51M, Jean-Michel Basquiat $439.34M, Andy Warhol $348.35M, Claude Monet $305.68M. Talk about art appreciation!

It is true, that we are not all in the same boat. However, this storm, will run its course and we all will, for better or for worse, get through it. Where we will end up, is anyone’s guess. One thing is for sure, no one will ever be the same.

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Not for the Faint of Heart — Opening to a New Renaissance https://zomagazine.com/opening-to-a-new-renaissance/ Tue, 29 Mar 2022 02:06:09 +0000 http://zomagazine.com/?p=23145 The post Not for the Faint of Heart — Opening to a New Renaissance appeared first on ZO Magazine.

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Quarter II — 2022 | Why Not Experiment?

Not for the Faint of Heart: Opening to a New Renaissance

By Tricia Stewart Shiu

Not for the Faint of Heart: Opening to a New Renaissance — Read by Tricia Stewart Shiu

Where, exactly, are we now? How do we even begin to locate ourselves within the universe—let alone, stay present with it? With all the timeline jumping, thought bouncing, multiverse excursions, it’s virtually impossible to imagine a personal alignment or even orientation, given the current state of world affairs…

ARTISTIC ALLEGORY | LE MOT JUSTE

Perhaps, orienting ourselves is not the point. Old ideologies are falling away and are being replaced by new ones. With that, conflicts arise, and battle lines are drawn. Managing the day-to-day tasks while the world churns out its next iteration can be quite tumultuous. Many would argue that merely staying present is enough to glean a mere morsel of “be here now” existence and shift away from stress or struggle. They could have a point.

Proponents of mindfulness, say that research suggests that when we turn towards pain and discomfort and remain present, we can experience less of it.

Evan Forman a Psychology Professor at Drexel University defines this method as, “Present-moment awareness,” which, generally refers to a “state of sustained attention to and awareness of the present moment, which includes being fully aware of one’s internal experiences.” These “internal experiences include factors like sounds, smells, and sensations, as well as thoughts and emotions.”

Anyone experiencing anxiety or discomfort can attest to the benefits of mindfulness. It can offer calm in the midst of a severe personal storm. However, this tool offers support temporarily and the act of sustained presence takes extensive practice (like meditation and/or yoga). Plus, anyone who enters into the rabbit hole of higher consciousness can find themselves in an entirely new, unexpected (and perhaps, unwanted) inner space.

Some would even go as far to say, mindfulness and remaining present, might not be the best long-term solution. In fact, one scientist has declared that “being in the present moment is no joke.”

Ruben Laukkonen, a cognitive neuroscientist at the VU University of Amsterdam, has been researching the effects of the rarest states of human consciousness and has unearthed some unconventional theories about being present and its effects on our well-being.

His primary reason for nixing extended presence practice is based on a simple frame that everyone consistently uses—time.

“Because,” Laukkonen reasons, “what concept, feeling, or experience, is not built on the foundation of time?”

Laukkonen sites personal safety as a basis for tempering a “presence-centered” mindset. He suggests, “…how do we know the taste of a good coffee, recognize our mother, or open a door without a vast history of learning based on the past? How do we drink water, instead of detergent, unless we project our knowledge all over that neutral liquid?”

In truth, Laukkonen concludes, “To truly be in the present moment is to not exist.”

He, most certainly, has a point.

So, what is the point? Best case scenario, a happy medium is drawn between far out in the universal consciousness and almost non-existent presence, and we can, finally, experience our world to realistically, subjectively enjoy the coffee flavor of our choice, maternal recognition, opening a door, and discerning water from detergent.

If anything, consider this your official call to stop beating yourself up about not being present at every living, breathing moment of the day. Who knows, with all that free time, you might just begin to enjoy yourself.

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Redefining Outcomes — Marking History with a Frameless View https://zomagazine.com/redefining-outcomes/ Wed, 29 Dec 2021 19:39:56 +0000 http://zomagazine.com/?p=22127 The post Redefining Outcomes — Marking History with a Frameless View appeared first on ZO Magazine.

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Quarter I — 2022

Redefining Outcomes: Marking History with a Frameless View

By Tricia Stewart Shiu

Redefining Outcomes: Marking History with a Frameless View — Read by Tricia Stewart Shiu

The Law of Attraction is a vastly popular way to frame one’s life. Movies, like “The Secret” (2006) and “Discover the Gift” (2010), have contributed to a burgeoning crop of followers over the past 10 to 15 years. Despite the medium used to deliver the message, it is clear that these movies were not merely for entertainment purposes only and a multitude of people have been more than ready to shift into this new life-affirming mindset. However, “new” is a relative term when it comes to making history or, rather, marking history.

ARTISTIC ALLEGORY | LE MOT JUSTE

The exact origins of the “Law of Attraction” (LOA) are varied. Some accounts set 1877 as the date the term was first used in print, by Russian occultist Helena Blavatsky, but others say it was in 1906 that author and publisher William Walker Atkinson wrote about it in his book, “Thought Vibration or the Law of Attraction in the Thought World.”

No matter how you slice it, the term is definitely not new. Although, calling something “new” can most certainly shift its meaning and, in some cases, its outcome and profitability.

LOA dovetails perfectly with the gig economy—freelancers or project-based jobs (up 15% over the past 10 years), as well as, multi-level marketing companies (MLMs).

In order to make LOA work, Anirban Kar suggests, in his article “Here’s Why the “Law of Attraction” Gurus Are So Rich & You Are Not!,” that we “forget their teachings” and “focus on their business model.”

Of course, there are a myriad of other ways of framing life, however, the allure of manifesting, using “the universe” as a cosmic cash machine/genie lamp, offers some distance from the disillusionment caused by the crumbling bootstrap theory. Those who witnessed loved ones who invested their lives and livelihoods in companies who, then, pulled the plug on pensions and left many workers to fend for themselves, are looking for a little hope, if not salvation.

However, these methodologies and mindsets are completely harmless, in and of themselves. What’s the harm in wishing and hoping and moreover, if those wishes and hopes are positively focused, what could possibly be wrong with framing one’s life like this? Absolutely nothing.

But…

With each one of these methodologies, there’s a recipe or a laundry list of “to-do” items, before which, the manifestations can be manifested. It’s a slippery slope to an abysmal rabbit hole if one is not fastidiously careful.

Trouble is, framing one’s life like this appears utterly harmless and an exercise in free will. However, and there’s a big H in that word, when large groups of people begin to impress their judgments based on these frames, they become toxic and potentially abusive.

After an intensely challenging year of practicing LOA, Anirban Kar felt depleted and dejected and sought answers from LOA gurus who, essentially, said: “It was all on me. According to them, it had to be one of these things:

  1. I did not believe hard enough.
  2. I tried so hard, it created a resistance.

 

Again, absolutely nothing wrong with putting your dreams and hopes into action to manifest a positive outcome. Trouble comes, when the aforementioned manifestation doesn’t immediately show up. Doubt enters in the form of questioning oneself and perhaps even the methodology. Again, doubt is not a problem either, but the mindset around moving through the doubt can create a frame that is looping, treacherous and toxic.

For example, a goal is set, a wish is desired and through one of these chosen methodologies, a list of actions is created. Subsequently, the list of actions is completed, and each step has been done while thinking only good thoughts and having superbly positive intentions. Inevitably, after a period of doubt, the question is asked: “Were you specific?” If you were looking for money to come into your bank account, were you specific about the amount? If you’re desiring a relationship, did you mention a detailed description of exactly the type of person you are looking for, i.e. hair color, belief system, shoe size?

Soon self-doubt, self-blaming, and shaming creep in and if one is not careful, a looping cycle of toxic positivity ensues. Begging the question: What outcome was sought, to begin with?

The easiest path isn’t always the straightest one.

But, exercise caution when looking for your next “go-to” resolution. No matter the outcome, be kind to yourself.

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Miraculous Momentum — Portrait of a Time Traveler https://zomagazine.com/miraculous-momentum/ Thu, 30 Sep 2021 17:38:01 +0000 http://zomagazine.com/?p=21387 The post Miraculous Momentum — Portrait of a Time Traveler appeared first on ZO Magazine.

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4TH Quarter 2021 

Miraculous Momentum Portrait of a Time Traveler

By Tricia Stewart Shiu

Miraculous Momentum – Read by Tricia Stewart Shiu

Time is money. Time is relative. Time heals all wounds. Time to lean, time to clean.

Time is so many things, to so many people.

Much of our existence either revolves around or is spent escaping the inevitable passage of time.

But, that measurement on which so many of us construct our lives, emotionally connect and base our belief systems, is fairly arbitrary.

ARTISTIC ALLEGORY | LE MOT JUSTE

The Mathematical Association of America says, “The measurement of time began with the invention of sundials in Ancient Egypt sometime prior to 1500 B.C. However, the time the Egyptians measured was not the same as the time today’s clocks measure. For the Egyptians, and indeed for a further three millennia, the basic unit of time was the period of daylight.”

However, Industrialization and the invention of the lightbulb were just two events that shaped, or maybe warped, our sense of time.

So, here we are. Biding, racing, scanning, making, marking, healing…

Suppose, that while we are doing all those things, a moment of measurement could stretch out or take a detour. For one almost imperceptible, blink-of-an-eye moment, imagine that time does something unexpected and we are able to hop to another timeline or visit our past self, skip ahead—minutes, hours or millennia—or even stand outside ourselves and look at the present with a new perspective.

What if these very words that you are reading, right now, were created 1,000 years from now and are being channeled from the future self of this writer?

The title, words chosen, intention behind the article—what if the research was gathered in the past, filtered by the present, then, finally written through a future connection.

Of course, that is just this writer’s story. Yours could involve any number of people, locations, or scenarios. How about you travel into the future? It is more science and less fiction than you might think. The trouble isn’t fast-forwarding in time, it’s the return travel that’s an issue, but, more on that later.

A video on the Science Channel, How to Time Travel (Kind Of) | How the Universe Works, offers some expert advice about exactly how one might go about traveling into the future.

To begin, we must start by reframing our understanding and definition of time.

“So, instead of thinking of our universe as a 3 dimensional place that just changes over time,” explains Physicist, Max Tegmark. “We should think of reality as a 4 dimensional place known as space-time.”

More specifically, we can think of the space-time continuum where motion through space is linked to motion through time. To break it down: “Because space consists of 3 dimensions, and time is 1-dimensional, space-time must, therefore, be a 4-dimensional object. It is believed to be a ‘continuum’ because so far as we know, there are no missing points in space or instants in time, and both can be subdivided without any apparent limit in size or duration,” says an article “Special & General Relativity Questions and Answers,” So, physicists now routinely consider our world to be embedded in this 4-dimensional Space-Time continuum, and all events, places, moments in history, actions and so on are described in terms of their location in Space-Time.”

The scientists interviewed for the Science Channel segment agreed that you’d have to rocket into space and orbit the earth at almost the speed of light. It’s hard to imagine how fast that might be.

“To put it in perspective, just how fast that is,” says Astrophysicist, Hakeem Oluseyi, “The fastest human-piloted vehicle in history was Apollo 10, and it went 25,000 mph. You would need to go more than 25,000 times faster than that. That’s pretty fast.”

Although physics might make time travel possible at some point, there are no vehicles equipped to handle the energy required for the speed necessary to travel at the speed of light. Not only that but once you get there, there is no way to go back in time. So, you’d be stuck in the future.

There is nothing to stop anyone from imaging the possibilities. In fact, Albert Einstein, the father of modern physics, said, “To raise new questions, new possibilities, to regard old problems from a new angle, requires creative imagination and marks real advance in science.”

Perhaps our imagining could be the next step to conquering a new space-time frontier. Who knows, this article could play a pivotal role in someone’s theoretical physics epiphany. Cheers to our future selves!

 

 

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Life On Mars — Might vs. Should https://zomagazine.com/life-on-mars/ Thu, 01 Jul 2021 13:22:16 +0000 http://zomagazine.com/?p=20440 The post Life On Mars — Might vs. Should appeared first on ZO Magazine.

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Life On Mars

Might vs. Should — Escape as an Option for Existential Growth

By Tricia Stewart Shiu

Artistic Allegory Life on Mars – Read by Tricia Stewart Shiu

Stress. It is everywhere.

Paying bills, staying healthy, managing the day-to-day parts of life. It can all pile up into a mounting and unmanageable mess.

There are so many ways to combat and deal with it, too. Stress balls, exercise, meditation, or even sitting in a chair upside down (perspective is everything.) Well, you get it.

ARTISTIC ALLEGORY | LE MOT JUSTE

Managing, juggling, or even combatting life’s challenges can be a full-time job in and of itself. There are the inevitable truths, far beyond death and taxes that are essential to day-to-day life, and in a life in which time defies measurement, pressure can force anyone into a dire position.

Reality has become increasingly difficult to endure and the only truly sane mechanism left, it seems, is, well, leaving.

Escapism is, quite literally, the final frontier. But, is it safe? Or, for that matter, is it healthy?

For example, entertainment—television, film, and video games—are artful escapes that many people use to vacate or vegetate after a tough day.

“The better we get at distinguishing fantasy from reality, the more one can indulge safely in fantasies without distorting our adaptation to and accommodation of reality.” Jeremy E. Sherman Ph.D., MPP says, in The Art of Escapism for People Suffering a Reality Overdose.

Entering into a little escapism, can relieve undue pressure and create a release valve for all those pesky, pent-up frustrations. “With no roadmap for living through and processing a unique catastrophe, entertainment could help guide us.” Sherman focuses on television and film as a way to play out situations, otherwise unreachable in any normal, everyday, life.

“We humans need fantasy, escapism into fake godlike security and freedom. We need theatrical outrage as a purgative, flushing our anxiety and self-doubt through righteous indignation.”

In fact, we are better off, vicariously moving through imaginary scenarios. Sherman continues, “The better we get at distinguishing fantasy from reality, the more safely we can indulge in fantasy, as we must in order to manage our anxious human lives.”

But, if it’s a higher level of escapism, that is needed, why not try a virtual planetary leap? How about a trip to Mars?

In fact, anyone can experience Mars, thanks to NASA and Google. Just click on the link to see actual footage of recordings of NASA’s Curiosity rover. It is now possible to see the surface of Mars, right from your computer browser.

Through your virtual journey, you can learn about the Curiosity rover mission by clicking points of interest, move throughout the terrain, and travel to different mission sites by clicking on different points of a map.

Or, you could snap up one of the eight crew seats available on SpaceX mission, dearMoon set to launch in 2023. Yusaku Maezawa, a Japanese billionaire, was chosen by SpaceX CEO, Elon Musk to be a part of the mission and there are some available seats, all expenses paid. According to Maezawa, two factors will set your application for interstellar crew member above the rest:

– You can advance whatever you are into by going to space

– You are willing to help the other eight crew members with that same goal

Of course, you can always take an actual vacation via car or plane. But, where’s the fun and adventure in that?

Whether your journey is imaginary or real, space launch or earthbound, nothing beats a little escape.

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Dawning Solar Plexus – Receiving The Night to Heal the Day https://zomagazine.com/dawning-solar-plexus/ Sat, 01 May 2021 13:52:56 +0000 http://zomagazine.com/?p=20209 The post Dawning Solar Plexus – Receiving The Night to Heal the Day appeared first on ZO Magazine.

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May | Stars The Limit

Dawning Solar Plexus – Receiving The Night to Heal the Day

By Tricia Stewart Shiu

ZO Magazine Artistic Allegory May 2021 Audio Article

“The solar plexus, more traditionally known as the coeliac (belly) plexus, gets its new name from its resemblance to the sun with nerves meeting in the center, creating rays of nerves radiating outward to many other areas of the body. The solar plexus chakra also has much to do with motivation, willpower, and purpose, which stem from one’s sense of personal efficacy.” – Chakras 101

ARTISTIC ALLEGORY | LE MOT JUSTE

Embracing both the light and dark in ourselves and in any situation can be wholly transformational. In fact, that type of perspective could be, and often is, considered an art form.

Contrast is an essential part of any creative study and over the past year that study, in and of itself, has become an art form.

For contrast to occur, however, a firm concept must be in place. A steady, clear, solid, idea, brush/pencil stroke or word, is the beginning of contrast. For, it is in the midst of the “in-between” places, in moments where questions arise and feelings emerge, that contrast offers clarity into both the light and the dark of everything.

Many groups and individuals have touted the benefits of observing, accepting, and even embracing contrast in one’s life. Artists, mental health professionals, and spiritual gurus have all weighed in, at some point, about this foundational, alchemical, and, yes, even career-launching subject.

In fact, in 1851, the author of “The Theory of Effect: Embracing the Contrast of Light and Shade, of Colour and Harmony,” artist John Bengo, maintains that an artistic understanding of contrast is essential in truly being received and respected in one’s profession:

“Rembrandt, by his consummate knowledge of effect, gave that magic representation of light and shade, that raised him to the highest rank in his profession, which, with his deficient skill as a draughtsman, he could never hope to obtain.”

There is an art to graciously receiving anything—and it’s probably a good thing that Rembrandt was long gone after Bengo weighed in—including the tangible the intangible as well as the imaginative thoughts and creative flow.

Many people use creativity to transmute the darkness that traumatic events can cause into beautiful pieces of artwork.

The challenge with any creative endeavor that involves traumatic darkness, is that it can be re-triggered and stop that process in its tracks. The delicate dance with the darkness can offer healing for both the artist and audience. Only the artist can understand the unfolding and expression of the trauma that will bring culmination in the finished piece.

Embracing the contrast in life can impact our mental and physical health, as well. Charlotte Skogsberg, a yoga teacher with a degree in clinical psychology, uses her challenging and changing locations and climate (moving from a tropical environment to a mountainous environment) to deepen her awareness:

“What this contrast does is that it makes me ACUTELY aware of the details in the moment. I become very present. I also become aware of my capacity. That there are things I am capable of that I might not have been or might not BE capable of doing at another point in time. This creates a feeling of humility, not only to my body’s limits and capacities but eventually towards things around me too.”

Moreover, metaphysical and spiritual teachers facilitate an understanding of embracing contrast for an easier flow in attracting and receiving one’s hopes and desires. Esther Hicks, a well-known channeler of an entity called “Abraham Hicks,” has long spoken about the role of contrast in the “Law of Attraction.”

About contrast, Abraham Hicks says:

“Contrast is essential to decision, but once the decision is made, if you will turn your full attention to your decision and do your best to achieve a vibrational match with that decision, in very short order, the Universe will go to work in helping you to achieve whatever it is that you are wanting.”

In other words, no matter how it is viewed, utilized, or understood, contrast offers a peek into the depths of understanding the multi-faceted human experience.

The post Dawning Solar Plexus – Receiving The Night to Heal the Day appeared first on ZO Magazine.

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Stellar Indemnification — Facing the Truth https://zomagazine.com/stellar-indemnification/ Thu, 01 Apr 2021 01:41:00 +0000 http://zomagazine.com/?p=19968 The post Stellar Indemnification — Facing the Truth appeared first on ZO Magazine.

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April | SHADOWS ON THE GROUND: CONSTELLATIONS

Stellar Indemnification: Facing the Truth

By Tricia Stewart Shiu

Stellar Indemnification: Facing the Truth — Read by Tricia Stewart Shiu

In the early 1500s, a young painter and son of a peasant managed a feat known to few artists of that time. Qiu Ying (c. 1494–c. 1552) impressed and gained the support of several wealthy patrons. “With his special gift for copying paintings, Qiu Ying found favor among collectors, bringing him an opportunity to copy and learn from Song and Yuan dynasty paintings in the collections of the Jiangnan area and greatly broadening his artistic scope.”

He was adept at painting in various styles like ink-wash and blue and green style, but he excelled at gongbi brush technique, well known for its delicate and intricate brush strokes.

Qiu Ying’s paintings are housed everywhere from the Vatican to the Los Angeles County Museum of Art (LACMA). He is, most certainly, a world-renowned artist whose works are priceless.

So, it is no surprise that The National Endowment of the Arts, which manages the Arts and Artifacts Indemnity Program on behalf of the Federal Council on the Arts and the Humanities, chose to Indemnify the first exhibition, ever, held outside of Asia for the painter, Qiu Ying. Last year, LACMA hosted Where the Truth Lies: The Art of Qiu Ying.

ARTISTIC ALLEGORY | LE MOT JUSTE

Every year, since 1975, The Arts and Artifacts Indemnity Program has accepted applications both domestically and internationally, for artwork, artifacts or objects, rare documents, books, and other printed materials, photographs, films, and electronic materials. “Such objects must have educational, cultural, historical, or scientific value,” the programs says, “and the exhibition must be certified by the Secretary of State’s designee as being in the national interest.

Here’s where things get interesting, though. There are lots of holes in Qiu Ying’s biography and his works are challenging to authenticate. “There are estimated to be hundreds or thousands of copies and forgeries for every authentic Qiu Ying painting,” says William Poundstone on his blog Art and Chaos.

In fact, the curator of Where the Truth Lies, Stephen Little, weighs in by saying, “Few artists in Chinese history have proven as enigmatic as the great Ming dynasty painter Qiu Ying, honored as one of the Four Great Masters of the Ming dynasty. His is one of the most copied arts in Chinese history.”

Kealey Boyd writes in, “A Closer Look at China’s Most Enigmatic, and Most Copied, Artist,” “Despite this iconic status and passage of 500 years, unresolved questions around the artist persist. Only three paintings are dated by his hand, resulting in a flawed chronology of his production. Biographical information, such as the dates of his birth and death is unknown. It’s not unusual to lack this documentation among lower socioeconomic classes from the Ming period, but if he was of a lower class, this prompts more questions about how the artist ascended in the cultural hierarchy.”

“Where the Truth Lies grapples with such issues as artists who cross social boundaries, literacy, and the importance of connoisseurship in determining quality and authenticity. This will be the first exhibition on Qiu Ying ever organized outside of Asia.” Says the LACMA website. The exhibition will also include works by his predecessors and teachers, his daughter Qiu Zhu, and followers from the early 16th through the mid-20th century.

The exhibit is curated chronologically and Mr. Little chose to use the obvious challenges to create some healthy curiosity with visitors. “Two fan paintings hang at the entrance of Where The Truth Lies: The Art of Qiu Ying at the Los Angeles County Museum of Art (LACMA),” said Kealey Boyd, who visited the exhibit in person, “The exhibition’s curator, Stephen Little, withholds the respective wall labels, taunting the viewer to claim the genuine Qiu Ying based only on observation.”

The irony is, of course, that although Qiu Ying’s training at copying paintings for wealthy patrons brought him global and historical notoriety, his own paintings were, eventually and prolifically, copied, as well.

The genuine article vs. a reasonable facsimile—to the naked eye, they could pass as truth. Only the discerning connoisseur can truly appreciate the breathtaking detail of each work of art.

The post Stellar Indemnification — Facing the Truth appeared first on ZO Magazine.

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Breaking Bland — Smooth Sailing in Open Waters https://zomagazine.com/breaking-bland/ Tue, 02 Mar 2021 05:51:05 +0000 http://zomagazine.com/?p=19477 The post Breaking Bland — Smooth Sailing in Open Waters appeared first on ZO Magazine.

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March | CREATE THE FUTURE

Breaking Bland: Smooth Sailing in Open Waters

By Tricia Stewart Shiu

Breaking Bland: Smooth Sailing in Open Waters – Read by Tricia Stewart Shiu

“Tricia, may the learnings and experiences of the Vertex 2002 Wild Basin ‘Change Guides Camp,’ inspire you to new summits in your life’s journey.”

– Inscription from Mike Donahue on “The Longs Peak Experience and Trail Guide.”

ARTISTIC ALLEGORY | LE MOT JUSTE

Rules, regulations, and routines are meant to keep us safe, keep us all on the same page and bring a sense of order and/or unity to a community or group.

In fact, creating a routine is one of the fastest ways of staying centered in uncertain times. One of the easiest ways to combat uncertainty and chaos is to create a structured plan.

“Not knowing the future creates physical and emotional stress,” says Equitable article, “How Planning for Tomorrow Can Ease Uncertainty Today” “Making the right kind of plan can help you cope—and move forward.”

However, one problem that comes with a routine is that…well, it becomes routine.

There is an art to exploring, adventuring, and dreaming, using the open waters of imagination to break the bonds of banality.

What if, while you make your bed, every morning, you imagine you are shaking out the mainsail of your very own boat. Perhaps you are about to embark on an adventure to discover undersea treasure.

What if, as you plan your day and check off items on your “To-Do List,” you build in a theme, like a hilarious scavenger hunt with your favorite treats as prizes.

What if, you lived one day as a metaphor for something much larger than yourself?

Maybe rock climbing?

In his book, “The Longs Peak Experience and Trail Guide,” author and a fourth-generation Colorado mountaineer, Mike Donahue brings this metaphor to life. “It is every step along the way that makes a climb, and it is every moment along the way that makes a life. The secrets learned in reaching for mountain summits help us reach life’s summits…”

Mike’s expertise spanned his master-level understanding of mountaineering and summiting and his book—part trail guide, part life manual—shines a light on making life a true adventure. From planning and preparation to navigating the battle between your positive and negative inner voice, Mike’s offering is nothing less than an exemplar guide to being a truly, kind, compassionate, and, yes, adventurous human.

Sadly, Mike passed away in November 2005, but his life’s passion and legacy live on. His memorial page says the following:

“Mike acquired a near-religious passion for the mountains along with a mystical sense that many of the world’s troubles would be alleviated if only its people would wander and climb in his beloved mountains. Experiencing intimately the mountains, he thought, would bring about a kind of spiritual transformation and cultivate skills that are of great value in all areas of life.“

When it comes to dreams, Mike Donahue said it best:

“Everything, literally everything begins as a dream… And the more we try and make our dreams come true, the richer, more satisfying, and complete a life we live.

…don’t hold back. Dream on. And dream loud and strong. Every step you take toward fulfilling that dream will bring you richness and fulfillment that is very hard to find in life. So, go on… Dare to Dream!”

Sure, life needs structure and, especially now, it is important to stay safe and secure in every possible way. But, what if, the questions you ask yourself and the fun you have with each and every moment of your life, enhance and enrich your existence, as well as the lives of everyone around you?

What if?

Thanks, Mike.

The post Breaking Bland — Smooth Sailing in Open Waters appeared first on ZO Magazine.

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