Tricia Stewart Shiu Archives - ZO Magazine https://zomagazine.com/category/writers/artistic-allegory/ Mon, 12 Jun 2023 14:57:17 +0000 en-US hourly 1 https://wordpress.org/?v=6.1.3 https://i0.wp.com/zomagazine.com/wp-content/uploads/2019/01/Separator-circle-w.jpg?fit=32%2C32&ssl=1 Tricia Stewart Shiu Archives - ZO Magazine https://zomagazine.com/category/writers/artistic-allegory/ 32 32 65979187 The Color of Thought — The Essence of Nuance and Undefinable Artifacts https://zomagazine.com/the-color-of-thought/ Fri, 30 Sep 2022 19:03:35 +0000 https://zomagazine.com/?p=25224 The post The Color of Thought — The Essence of Nuance and Undefinable Artifacts appeared first on ZO Magazine.

]]>

4th Quarter | The Color of Thought

Define Description: The Essence of Nuance and Undefinable Artifacts

By Tricia Stewart Shiu

The Color of Thought: The Essence of Nuance and Undefinable Artifacts Tricia Stewart Shiu

It’s delicious, isn’t it? The idea of describing an immaterial object with an unusual adjective. Bringing two worlds together. Bridging the continuum. Breaching the darkness.

Normally, sensory experiences are just that, experiences. Pulling away to objectively identify or define, can take away from the complexities and nuances of an otherwise juicy discovery and perhaps even taint the learning experience.

But what happens when an unexpected discovery occurs? One that supports learning, but also offers a not-so-pleasant glimpse into past historical events. How do we process, cull and disseminate the learning, while honoring just how far we’ve come?

After all, we humans evolve and grow for a reason.

ARTISTIC ALLEGORY | LE MOT JUSTE

That’s exactly what has occurred as ancient artifacts have surfaced after remaining hidden for thousands of years.

This phenomenon is most likely, directly connected to global warming and as large sections of the earth’s water sources evaporate, never-before-discovered mummified human remains and artifacts are surfacing.

Several such “artifacts” are thousands of years old, perfectly preserved humans, who met their untimely demise when they were used in human sacrifice rituals.

One example is the Children of Llullaillaco also known as the Mummies of Llullaillaco. They are three Inca child mummies discovered on March 16, 1999, by, National Geographic Society Explorer-in-Residence, a senior research fellow at The Mountain Institute and visiting professor at Catholic University, Salta, Argentina, Johan Reinhard.

Scientists have been astonished at just how well preserved these bodies were. From hair and skin to even more details, these mummified bodies offer a never experienced, unprecedented look into an unimaginable world.

National Geographic says, “Mummy’s hair reveals that young sacrifice victims were heavy users of coca and alcohol in their last years of life.”
It is astonishing to imagine, however, “In Inca religious ideology…coca and alcohol could induce altered states associated with the sacred. But the substances likely played a more pragmatic role as well, disorienting and sedating the young victims on the high mountainside to make them more accepting of their grim fates.”
The artifacts found, adds National Geographic, entombed with the young girl’s remains included: “spondylus shells, brought from the coast, feather headdresses from the Amazon Basin. Statues of gold and silver, adorned with finely woven miniature clothing, were also available only to the highest levels of society.”

George Santayana said in “The Life of Reason (1905), “Those who cannot remember the past are condemned to repeat it.” However, what if that history is horrific? What if although human sacrifice no longer is a commonplace practice, it is essential to validate and prove the manner of the human’s passing?
There will always be doubters about the historical significance of certain events and the importance of creating remembrances to ensure those events will never happen again.
When it comes to gray concerning ancient practices and cultural beliefs there’s no question that we can and should benefit from the learning of others, so we may move forward from tragic circumstances to ensure that they are never repeated.

Those gray areas, though, are the places where we live and breathe and experience presence, even as our past remains unchanged, and our future is uncertain.

It is within the gray areas, where curiosity lives, and the learning potential expands.

Perhaps it isn’t those potential spaces that we have the most to gain. And the nuanced spaces and undefinable events.

Still, when a thought comes to mind, there is always an attachment. The philosophical world connects thought and existence and has for centuries. Moreover, we can spend a lifetime writing, explaining, and defining the linear, concrete, and structured elements of thought, to no avail.

Perhaps, it is a balance between them, that we will finally find the answers we seek as the likelihood of discovering more ancient artifacts increases, over time.

The post The Color of Thought — The Essence of Nuance and Undefinable Artifacts appeared first on ZO Magazine.

]]>
25224
Trying vs. Doing — An Experimental Approach to Artistic Expression https://zomagazine.com/trying-vs-doing/ Mon, 01 Aug 2022 21:46:21 +0000 http://zomagazine.com/?p=24345 The post Trying vs. Doing — An Experimental Approach to Artistic Expression appeared first on ZO Magazine.

]]>

August

Trying vs. Doing: An Experimental Approach to Artistic Expression

By Tricia Stewart Shiu

ZO Magazine Artisitc Allegory July Trying vs Doing – Read by Tricia Stewart Shiu

“You may not know in your mind where you are going, but you know it by doing.” Nassim Taleb


You walk into a gallery and peruse the vast array of art in the space. A piece catches your eye and you walk a bit closer. It evokes deep feelings that you haven’t experienced in quite some time. You step closer and notice the artist’s attention to detail. You marvel at the use of light in this remarkable painting and begin to feel swept away by long-forgotten feelings.

After a while, you move along within the gallery, but that original piece and the emotions it evoked still stick with you. You can’t shake them and they stay with you, long after you leave.

ARTISTIC ALLEGORY | LE MOT JUSTE

“Art, like life, should be free, since they are both experimental.” George Santayana

Art is truly metaphor for life and self-observation. As with the example of wandering through an art gallery, so is our meandering through life. Sometimes intense, sometimes boring, always an experiment. How willing are you observe? Do you stand on the sidelines and take everything in or do you dive, head first, into the deep end? Do you judge yourself for not understanding the art or do you judge the artist for not making the piece clear enough for you to understand?


“Art is realm of thought experiments that quicken, sharpen and sweeten our being in this world.” Wendy Steiner

Art is subjective. Art is emotionally evocative. Just as art is experimental, so is life. One person’s sublime experience is another person’s drivel. But, within those experiences are some hard truths. To discover these foundational places, where conclusions can be drawn, is to gain knowledge so that intentional steps can be taken.

The thing about art, though, is that it’s messy. The feelings and colors and chaotic incoming ideas can be overwhelming.

So why not test it out? An experiment is a set of actions taken to test a hypothesis. Charting a course through the overwhelming artistic sensory overload, can start by asking a question. Then, a thoroughly researched hypothesis comes next. Once a hypothesis is made, the experimental fun can begin! The fun of experimenting, is that it creates a stair step of understanding to cut through the mass of ideas and emotions that usually flow with creative projects and can, sometimes, block us from getting anything done or reaching a conclusion.


Here are some key steps to take when embarking on your artistic experimental journey:
What do you know? What don’t you know? Art and life, both have unknown variables and known variables and understanding and documenting them can make a huge difference, moving forward.
Hypothetical conclusion: Set up a hypothesis based on what you know and don’t know.
What if? Time to test your hypothesis. Try things on, try them out. Ask questions, bring in new variables and observe what happens.
What happened? Come to a conclusion based on the new evidence and on what you’ve learned.

“Science, my boy, is made up of mistakes, but they are mistakes which it is useful to make, because they lead little by little to the truth.” Jules Verne

Failure and Compassion. Two things to keep in mind throughout your experiment: Understanding that there is no “failure” on the artistic journey—or life—and keeping your tests ethical and sound will ensure that nothing will come between you and your result. Being kind and compassionate with yourself and others helps, too.

And guess what? You can always start again. There is always time and space for another creative endeavor—another experiment.

Remember your imaginary walk through that gallery? You are always free to play, test, observe and imagine. Those elements are key in experimenting and creating. Discovery can be a portal to knowledge and, eventually, action. Isn’t that the point to life, anyway?


“Life is ‘trying things to see if they work.” Ray Bradbury

The post Trying vs. Doing — An Experimental Approach to Artistic Expression appeared first on ZO Magazine.

]]>
24345
Redefining Outcomes — Marking History with a Frameless View https://zomagazine.com/redefining-outcomes/ Wed, 29 Dec 2021 19:39:56 +0000 http://zomagazine.com/?p=22127 The post Redefining Outcomes — Marking History with a Frameless View appeared first on ZO Magazine.

]]>

Quarter I — 2022

Redefining Outcomes: Marking History with a Frameless View

By Tricia Stewart Shiu

Redefining Outcomes: Marking History with a Frameless View — Read by Tricia Stewart Shiu

The Law of Attraction is a vastly popular way to frame one’s life. Movies, like “The Secret” (2006) and “Discover the Gift” (2010), have contributed to a burgeoning crop of followers over the past 10 to 15 years. Despite the medium used to deliver the message, it is clear that these movies were not merely for entertainment purposes only and a multitude of people have been more than ready to shift into this new life-affirming mindset. However, “new” is a relative term when it comes to making history or, rather, marking history.

ARTISTIC ALLEGORY | LE MOT JUSTE

The exact origins of the “Law of Attraction” (LOA) are varied. Some accounts set 1877 as the date the term was first used in print, by Russian occultist Helena Blavatsky, but others say it was in 1906 that author and publisher William Walker Atkinson wrote about it in his book, “Thought Vibration or the Law of Attraction in the Thought World.”

No matter how you slice it, the term is definitely not new. Although, calling something “new” can most certainly shift its meaning and, in some cases, its outcome and profitability.

LOA dovetails perfectly with the gig economy—freelancers or project-based jobs (up 15% over the past 10 years), as well as, multi-level marketing companies (MLMs).

In order to make LOA work, Anirban Kar suggests, in his article “Here’s Why the “Law of Attraction” Gurus Are So Rich & You Are Not!,” that we “forget their teachings” and “focus on their business model.”

Of course, there are a myriad of other ways of framing life, however, the allure of manifesting, using “the universe” as a cosmic cash machine/genie lamp, offers some distance from the disillusionment caused by the crumbling bootstrap theory. Those who witnessed loved ones who invested their lives and livelihoods in companies who, then, pulled the plug on pensions and left many workers to fend for themselves, are looking for a little hope, if not salvation.

However, these methodologies and mindsets are completely harmless, in and of themselves. What’s the harm in wishing and hoping and moreover, if those wishes and hopes are positively focused, what could possibly be wrong with framing one’s life like this? Absolutely nothing.

But…

With each one of these methodologies, there’s a recipe or a laundry list of “to-do” items, before which, the manifestations can be manifested. It’s a slippery slope to an abysmal rabbit hole if one is not fastidiously careful.

Trouble is, framing one’s life like this appears utterly harmless and an exercise in free will. However, and there’s a big H in that word, when large groups of people begin to impress their judgments based on these frames, they become toxic and potentially abusive.

After an intensely challenging year of practicing LOA, Anirban Kar felt depleted and dejected and sought answers from LOA gurus who, essentially, said: “It was all on me. According to them, it had to be one of these things:

  1. I did not believe hard enough.
  2. I tried so hard, it created a resistance.

 

Again, absolutely nothing wrong with putting your dreams and hopes into action to manifest a positive outcome. Trouble comes, when the aforementioned manifestation doesn’t immediately show up. Doubt enters in the form of questioning oneself and perhaps even the methodology. Again, doubt is not a problem either, but the mindset around moving through the doubt can create a frame that is looping, treacherous and toxic.

For example, a goal is set, a wish is desired and through one of these chosen methodologies, a list of actions is created. Subsequently, the list of actions is completed, and each step has been done while thinking only good thoughts and having superbly positive intentions. Inevitably, after a period of doubt, the question is asked: “Were you specific?” If you were looking for money to come into your bank account, were you specific about the amount? If you’re desiring a relationship, did you mention a detailed description of exactly the type of person you are looking for, i.e. hair color, belief system, shoe size?

Soon self-doubt, self-blaming, and shaming creep in and if one is not careful, a looping cycle of toxic positivity ensues. Begging the question: What outcome was sought, to begin with?

The easiest path isn’t always the straightest one.

But, exercise caution when looking for your next “go-to” resolution. No matter the outcome, be kind to yourself.

The post Redefining Outcomes — Marking History with a Frameless View appeared first on ZO Magazine.

]]>
22127
Life On Mars — Might vs. Should https://zomagazine.com/life-on-mars/ Thu, 01 Jul 2021 13:22:16 +0000 http://zomagazine.com/?p=20440 The post Life On Mars — Might vs. Should appeared first on ZO Magazine.

]]>

Life On Mars

Might vs. Should — Escape as an Option for Existential Growth

By Tricia Stewart Shiu

Artistic Allegory Life on Mars – Read by Tricia Stewart Shiu

Stress. It is everywhere.

Paying bills, staying healthy, managing the day-to-day parts of life. It can all pile up into a mounting and unmanageable mess.

There are so many ways to combat and deal with it, too. Stress balls, exercise, meditation, or even sitting in a chair upside down (perspective is everything.) Well, you get it.

ARTISTIC ALLEGORY | LE MOT JUSTE

Managing, juggling, or even combatting life’s challenges can be a full-time job in and of itself. There are the inevitable truths, far beyond death and taxes that are essential to day-to-day life, and in a life in which time defies measurement, pressure can force anyone into a dire position.

Reality has become increasingly difficult to endure and the only truly sane mechanism left, it seems, is, well, leaving.

Escapism is, quite literally, the final frontier. But, is it safe? Or, for that matter, is it healthy?

For example, entertainment—television, film, and video games—are artful escapes that many people use to vacate or vegetate after a tough day.

“The better we get at distinguishing fantasy from reality, the more one can indulge safely in fantasies without distorting our adaptation to and accommodation of reality.” Jeremy E. Sherman Ph.D., MPP says, in The Art of Escapism for People Suffering a Reality Overdose.

Entering into a little escapism, can relieve undue pressure and create a release valve for all those pesky, pent-up frustrations. “With no roadmap for living through and processing a unique catastrophe, entertainment could help guide us.” Sherman focuses on television and film as a way to play out situations, otherwise unreachable in any normal, everyday, life.

“We humans need fantasy, escapism into fake godlike security and freedom. We need theatrical outrage as a purgative, flushing our anxiety and self-doubt through righteous indignation.”

In fact, we are better off, vicariously moving through imaginary scenarios. Sherman continues, “The better we get at distinguishing fantasy from reality, the more safely we can indulge in fantasy, as we must in order to manage our anxious human lives.”

But, if it’s a higher level of escapism, that is needed, why not try a virtual planetary leap? How about a trip to Mars?

In fact, anyone can experience Mars, thanks to NASA and Google. Just click on the link to see actual footage of recordings of NASA’s Curiosity rover. It is now possible to see the surface of Mars, right from your computer browser.

Through your virtual journey, you can learn about the Curiosity rover mission by clicking points of interest, move throughout the terrain, and travel to different mission sites by clicking on different points of a map.

Or, you could snap up one of the eight crew seats available on SpaceX mission, dearMoon set to launch in 2023. Yusaku Maezawa, a Japanese billionaire, was chosen by SpaceX CEO, Elon Musk to be a part of the mission and there are some available seats, all expenses paid. According to Maezawa, two factors will set your application for interstellar crew member above the rest:

– You can advance whatever you are into by going to space

– You are willing to help the other eight crew members with that same goal

Of course, you can always take an actual vacation via car or plane. But, where’s the fun and adventure in that?

Whether your journey is imaginary or real, space launch or earthbound, nothing beats a little escape.

The post Life On Mars — Might vs. Should appeared first on ZO Magazine.

]]>
20440
Dawning Solar Plexus – Receiving The Night to Heal the Day https://zomagazine.com/dawning-solar-plexus/ Sat, 01 May 2021 13:52:56 +0000 http://zomagazine.com/?p=20209 The post Dawning Solar Plexus – Receiving The Night to Heal the Day appeared first on ZO Magazine.

]]>

May | Stars The Limit

Dawning Solar Plexus – Receiving The Night to Heal the Day

By Tricia Stewart Shiu

ZO Magazine Artistic Allegory May 2021 Audio Article

“The solar plexus, more traditionally known as the coeliac (belly) plexus, gets its new name from its resemblance to the sun with nerves meeting in the center, creating rays of nerves radiating outward to many other areas of the body. The solar plexus chakra also has much to do with motivation, willpower, and purpose, which stem from one’s sense of personal efficacy.” – Chakras 101

ARTISTIC ALLEGORY | LE MOT JUSTE

Embracing both the light and dark in ourselves and in any situation can be wholly transformational. In fact, that type of perspective could be, and often is, considered an art form.

Contrast is an essential part of any creative study and over the past year that study, in and of itself, has become an art form.

For contrast to occur, however, a firm concept must be in place. A steady, clear, solid, idea, brush/pencil stroke or word, is the beginning of contrast. For, it is in the midst of the “in-between” places, in moments where questions arise and feelings emerge, that contrast offers clarity into both the light and the dark of everything.

Many groups and individuals have touted the benefits of observing, accepting, and even embracing contrast in one’s life. Artists, mental health professionals, and spiritual gurus have all weighed in, at some point, about this foundational, alchemical, and, yes, even career-launching subject.

In fact, in 1851, the author of “The Theory of Effect: Embracing the Contrast of Light and Shade, of Colour and Harmony,” artist John Bengo, maintains that an artistic understanding of contrast is essential in truly being received and respected in one’s profession:

“Rembrandt, by his consummate knowledge of effect, gave that magic representation of light and shade, that raised him to the highest rank in his profession, which, with his deficient skill as a draughtsman, he could never hope to obtain.”

There is an art to graciously receiving anything—and it’s probably a good thing that Rembrandt was long gone after Bengo weighed in—including the tangible the intangible as well as the imaginative thoughts and creative flow.

Many people use creativity to transmute the darkness that traumatic events can cause into beautiful pieces of artwork.

The challenge with any creative endeavor that involves traumatic darkness, is that it can be re-triggered and stop that process in its tracks. The delicate dance with the darkness can offer healing for both the artist and audience. Only the artist can understand the unfolding and expression of the trauma that will bring culmination in the finished piece.

Embracing the contrast in life can impact our mental and physical health, as well. Charlotte Skogsberg, a yoga teacher with a degree in clinical psychology, uses her challenging and changing locations and climate (moving from a tropical environment to a mountainous environment) to deepen her awareness:

“What this contrast does is that it makes me ACUTELY aware of the details in the moment. I become very present. I also become aware of my capacity. That there are things I am capable of that I might not have been or might not BE capable of doing at another point in time. This creates a feeling of humility, not only to my body’s limits and capacities but eventually towards things around me too.”

Moreover, metaphysical and spiritual teachers facilitate an understanding of embracing contrast for an easier flow in attracting and receiving one’s hopes and desires. Esther Hicks, a well-known channeler of an entity called “Abraham Hicks,” has long spoken about the role of contrast in the “Law of Attraction.”

About contrast, Abraham Hicks says:

“Contrast is essential to decision, but once the decision is made, if you will turn your full attention to your decision and do your best to achieve a vibrational match with that decision, in very short order, the Universe will go to work in helping you to achieve whatever it is that you are wanting.”

In other words, no matter how it is viewed, utilized, or understood, contrast offers a peek into the depths of understanding the multi-faceted human experience.

The post Dawning Solar Plexus – Receiving The Night to Heal the Day appeared first on ZO Magazine.

]]>
20209
Stellar Indemnification — Facing the Truth https://zomagazine.com/stellar-indemnification/ Thu, 01 Apr 2021 01:41:00 +0000 http://zomagazine.com/?p=19968 The post Stellar Indemnification — Facing the Truth appeared first on ZO Magazine.

]]>

April | SHADOWS ON THE GROUND: CONSTELLATIONS

Stellar Indemnification: Facing the Truth

By Tricia Stewart Shiu

Stellar Indemnification: Facing the Truth — Read by Tricia Stewart Shiu

In the early 1500s, a young painter and son of a peasant managed a feat known to few artists of that time. Qiu Ying (c. 1494–c. 1552) impressed and gained the support of several wealthy patrons. “With his special gift for copying paintings, Qiu Ying found favor among collectors, bringing him an opportunity to copy and learn from Song and Yuan dynasty paintings in the collections of the Jiangnan area and greatly broadening his artistic scope.”

He was adept at painting in various styles like ink-wash and blue and green style, but he excelled at gongbi brush technique, well known for its delicate and intricate brush strokes.

Qiu Ying’s paintings are housed everywhere from the Vatican to the Los Angeles County Museum of Art (LACMA). He is, most certainly, a world-renowned artist whose works are priceless.

So, it is no surprise that The National Endowment of the Arts, which manages the Arts and Artifacts Indemnity Program on behalf of the Federal Council on the Arts and the Humanities, chose to Indemnify the first exhibition, ever, held outside of Asia for the painter, Qiu Ying. Last year, LACMA hosted Where the Truth Lies: The Art of Qiu Ying.

ARTISTIC ALLEGORY | LE MOT JUSTE

Every year, since 1975, The Arts and Artifacts Indemnity Program has accepted applications both domestically and internationally, for artwork, artifacts or objects, rare documents, books, and other printed materials, photographs, films, and electronic materials. “Such objects must have educational, cultural, historical, or scientific value,” the programs says, “and the exhibition must be certified by the Secretary of State’s designee as being in the national interest.

Here’s where things get interesting, though. There are lots of holes in Qiu Ying’s biography and his works are challenging to authenticate. “There are estimated to be hundreds or thousands of copies and forgeries for every authentic Qiu Ying painting,” says William Poundstone on his blog Art and Chaos.

In fact, the curator of Where the Truth Lies, Stephen Little, weighs in by saying, “Few artists in Chinese history have proven as enigmatic as the great Ming dynasty painter Qiu Ying, honored as one of the Four Great Masters of the Ming dynasty. His is one of the most copied arts in Chinese history.”

Kealey Boyd writes in, “A Closer Look at China’s Most Enigmatic, and Most Copied, Artist,” “Despite this iconic status and passage of 500 years, unresolved questions around the artist persist. Only three paintings are dated by his hand, resulting in a flawed chronology of his production. Biographical information, such as the dates of his birth and death is unknown. It’s not unusual to lack this documentation among lower socioeconomic classes from the Ming period, but if he was of a lower class, this prompts more questions about how the artist ascended in the cultural hierarchy.”

“Where the Truth Lies grapples with such issues as artists who cross social boundaries, literacy, and the importance of connoisseurship in determining quality and authenticity. This will be the first exhibition on Qiu Ying ever organized outside of Asia.” Says the LACMA website. The exhibition will also include works by his predecessors and teachers, his daughter Qiu Zhu, and followers from the early 16th through the mid-20th century.

The exhibit is curated chronologically and Mr. Little chose to use the obvious challenges to create some healthy curiosity with visitors. “Two fan paintings hang at the entrance of Where The Truth Lies: The Art of Qiu Ying at the Los Angeles County Museum of Art (LACMA),” said Kealey Boyd, who visited the exhibit in person, “The exhibition’s curator, Stephen Little, withholds the respective wall labels, taunting the viewer to claim the genuine Qiu Ying based only on observation.”

The irony is, of course, that although Qiu Ying’s training at copying paintings for wealthy patrons brought him global and historical notoriety, his own paintings were, eventually and prolifically, copied, as well.

The genuine article vs. a reasonable facsimile—to the naked eye, they could pass as truth. Only the discerning connoisseur can truly appreciate the breathtaking detail of each work of art.

The post Stellar Indemnification — Facing the Truth appeared first on ZO Magazine.

]]>
19968
Breaking Bland — Smooth Sailing in Open Waters https://zomagazine.com/breaking-bland/ Tue, 02 Mar 2021 05:51:05 +0000 http://zomagazine.com/?p=19477 The post Breaking Bland — Smooth Sailing in Open Waters appeared first on ZO Magazine.

]]>

March | CREATE THE FUTURE

Breaking Bland: Smooth Sailing in Open Waters

By Tricia Stewart Shiu

Breaking Bland: Smooth Sailing in Open Waters – Read by Tricia Stewart Shiu

“Tricia, may the learnings and experiences of the Vertex 2002 Wild Basin ‘Change Guides Camp,’ inspire you to new summits in your life’s journey.”

– Inscription from Mike Donahue on “The Longs Peak Experience and Trail Guide.”

ARTISTIC ALLEGORY | LE MOT JUSTE

Rules, regulations, and routines are meant to keep us safe, keep us all on the same page and bring a sense of order and/or unity to a community or group.

In fact, creating a routine is one of the fastest ways of staying centered in uncertain times. One of the easiest ways to combat uncertainty and chaos is to create a structured plan.

“Not knowing the future creates physical and emotional stress,” says Equitable article, “How Planning for Tomorrow Can Ease Uncertainty Today” “Making the right kind of plan can help you cope—and move forward.”

However, one problem that comes with a routine is that…well, it becomes routine.

There is an art to exploring, adventuring, and dreaming, using the open waters of imagination to break the bonds of banality.

What if, while you make your bed, every morning, you imagine you are shaking out the mainsail of your very own boat. Perhaps you are about to embark on an adventure to discover undersea treasure.

What if, as you plan your day and check off items on your “To-Do List,” you build in a theme, like a hilarious scavenger hunt with your favorite treats as prizes.

What if, you lived one day as a metaphor for something much larger than yourself?

Maybe rock climbing?

In his book, “The Longs Peak Experience and Trail Guide,” author and a fourth-generation Colorado mountaineer, Mike Donahue brings this metaphor to life. “It is every step along the way that makes a climb, and it is every moment along the way that makes a life. The secrets learned in reaching for mountain summits help us reach life’s summits…”

Mike’s expertise spanned his master-level understanding of mountaineering and summiting and his book—part trail guide, part life manual—shines a light on making life a true adventure. From planning and preparation to navigating the battle between your positive and negative inner voice, Mike’s offering is nothing less than an exemplar guide to being a truly, kind, compassionate, and, yes, adventurous human.

Sadly, Mike passed away in November 2005, but his life’s passion and legacy live on. His memorial page says the following:

“Mike acquired a near-religious passion for the mountains along with a mystical sense that many of the world’s troubles would be alleviated if only its people would wander and climb in his beloved mountains. Experiencing intimately the mountains, he thought, would bring about a kind of spiritual transformation and cultivate skills that are of great value in all areas of life.“

When it comes to dreams, Mike Donahue said it best:

“Everything, literally everything begins as a dream… And the more we try and make our dreams come true, the richer, more satisfying, and complete a life we live.

…don’t hold back. Dream on. And dream loud and strong. Every step you take toward fulfilling that dream will bring you richness and fulfillment that is very hard to find in life. So, go on… Dare to Dream!”

Sure, life needs structure and, especially now, it is important to stay safe and secure in every possible way. But, what if, the questions you ask yourself and the fun you have with each and every moment of your life, enhance and enrich your existence, as well as the lives of everyone around you?

What if?

Thanks, Mike.

The post Breaking Bland — Smooth Sailing in Open Waters appeared first on ZO Magazine.

]]>
19477
Grace as a Verb — Clarity as a Strategy https://zomagazine.com/clarity-as-strategy/ Sun, 31 Jan 2021 16:24:04 +0000 http://zomagazine.com/?p=18908 The post Grace as a Verb — Clarity as a Strategy appeared first on ZO Magazine.

]]>

February

Grace as a Verb: Clarity as a Strategy

By Tricia Stewart Shiu

Grace as a Verb: Clarity as a Strategy – Read by Tricia Stewart Shiu

Finish this sentence.
Desperate times, call for ________.

Before you fill-in that chasm-like blank space with an abysmal catchphrase or cliché, ask yourself how your answer best serves you, your family, friends, and/or your community.

No doubt, you’ve experienced some form of desperation over the last year or even beyond that. We all have experienced desperation.

Occasionally, life will throw a strong curveball, right in the middle of your beautifully settled life.

It is within these moments of undefined terror, blind confusion, or just plain numbed, stumped-ness, that an extra level of understanding is needed…

ARTISTIC ALLEGORY | LE MOT JUSTE

… It is anyone’s guess, as to what is required to navigate the unsettled, jarring occurrences that tend to happen, throughout life—but, one thing is certain—the answer lies beyond any action, beyond thought, yes, the thing needed in times like these, is grace.

Nothing against action or thought. But, sometimes there are no actions or thoughts or, for that matter, words that can get us through, even a minute of such a challenge.

My father has dementia. It’s been challenging watching him weave his way through the uncertainty of his diagnosis. Some days are better than others, but one thing I’ve observed about him is that he has exhibited, embodied, and modeled more grace than I have ever before witnessed in any other human being.

What is Grace?

Many people attach biblical or religious meaning to grace. Yet others, focus their definitions
around an individual’s attractiveness, magnetism, or charisma.

One of the aptest definitions comes from Webster’s dictionary:

“Unmerited divine assistance is given to humans for their regeneration or sanctification.”

Grace promises release from suffering or pain, but the manner in which one might receive grace is unclear. How does one do it? The definition does include the word “unmerited” which alludes to a particular type of detachment from the desired outcome.

Back to my father, whose grace has defied the myriad of dips and peaks associated with his diagnosis.

On several occasions, it’s been apparent that he clearly acknowledges the reality and stays absolutely, resolutely, and radically present. Now, his presence changes with each passing hour, waxing and waning with a mysterious flow, known only to him. But, from my perspective, this radical presence and acknowledgment is grace.

He is just one person, but sometimes, a single human being, living their life in absolute “Capital R” Reality, staying present in each and every joy and challenge, is the best example anyone needs. This is absolutely true, in my father’s case.

Given that, here are some things I’ve observed:

Grace is…
Facing your worst nightmare with neutrality and calm
Fighting till your last breath, for what you truly believe in, opening your arms wide, with acceptance, during a life-altering challenge
Surrendering to a higher power when receiving heartbreaking news
Facing fate with dignity.

Feeling every feeling to its fullest (even the tough ones)

Receiving help

Self-compassion

Compassion for others

Sometimes, those lifetime curveballs that hit you right between the eyes, can show you exactly who you are. It takes clarity to see those events and yourself, as you are, as well. If you are reading this, my wish for you is gentleness, peace, and compassion for yourself—and most of all, grace.

The post Grace as a Verb — Clarity as a Strategy appeared first on ZO Magazine.

]]>
18908
HORIZON OF CHANGE — Nature’s Anomalies https://zomagazine.com/method-to-the-madness-natures-anomalies/ Thu, 31 Dec 2020 20:22:26 +0000 http://zomagazine.com/?p=18212 The post HORIZON OF CHANGE — Nature’s Anomalies appeared first on ZO Magazine.

]]>

January | HORIZON OF CHANGE

Method to the Madness: Nature’s Anomalies

By Tricia Stewart Shiu

Method to the Madness: Nature’s Anomalies – Read by Tricia Stewart Shiu

It is a part of human nature to find logic and meaning in our lives. Patterns and even pigeon-holing are common to our thought processes.

Then, there are those experiences that defy logic. Like the events of the last year. Although we may have different beliefs and explanations about why and how the events unfolded and the outcomes that followed, there is one unifying truth: something irreversible has happened. There is no going back to anything resembling last year’s definition of normal.

We stand stunned, on the precipice of a new year, unsteady in anything we once believed or understood as true.

Now what?

ARTISTIC ALLEGORY | LE MOT JUSTE

What is next on this oddly familiar, yet strangely undefinable journey?…

…Some things remain the same. The sun rises every morning and sets every evening. Other than that, the landscape and the people upon whom the sun rises, are changing more and more with each passing day. The answers can be elusive and the questions, numerous.

Quantum physics answer some burning queries, but not all. Religion has, yet another frame to place upon uncertain times. Perhaps, more esoteric methods can be used like psychics or mediums. Everyone is searching for something solid, anything logical on which to base their next theory.

Therein, lies the interpretation of our own understanding.

Sometimes, our “go-to” oracles are spot on, but other times, not so much, and when all seems like it might be gobbled up by a barrage of questions like: “what’s next” or “what if,” the best course of action is to look at “what is.” By doing so, we can gain a much needed moment of rest to gather our equilibrium.

In other words, it might be appropriate to gain some distance, from our perspective. Treat it all as a grand experiment and look at our lives, in a broad, general sense.

 

In an experiment, getting a “baseline” measurement, upon which we can compare and contrast all other observations is important. Then, afterward noticing the unusual, the inconsistent, and the “stand out” effects or anomalies, can offer insight into a question or course of action (if there is any to be taken.)

A recent article in Bright Side called, 9 Anomalies Proving That Nature Can Beat Anyone — Just Look at Its Power says, “…nature has a lot of other tricks up its sleeve like lakes that disappear overnight, raining fish and other amazing things that are so scary and impressive, people often try to provide explanations for them that are far from correct.”

Some even believe our entire planet is one big anomaly, Trevor Nace, Senior Science Contributor at Forbes, backs this summation up with several worthy examples, one of which is that “Earth is the only planet known to sustain liquid water, which covers 71% of the world’s surface. Liquid water is essential to life as we know it and is believed to be the key prerequisite to finding life on other planets.”

Anomalies are not random. If they are viewed from a perspective of wonder and awe, these irregularities can create a sense of hope and encouragement.

Rudyard Kipling, the poet, summed up managing the madness of life by saying, “If you can keep your head when all about you are losing theirs and blaming it on you…” In short, our circumstances do not define us, however, our response to those events does.

The next time an earth-shattering news event floods your feed, remember the consistently inconsistent occurrence of nature’s anomalies. There could just be a method to the madness, even if it is not.

The post HORIZON OF CHANGE — Nature’s Anomalies appeared first on ZO Magazine.

]]>
18212
NOSTALGIA — Mom and Pop Art https://zomagazine.com/nostalgia-mom-and-pop-art/ Tue, 01 Dec 2020 02:58:30 +0000 http://zomagazine.com/?p=17705 The post NOSTALGIA — Mom and Pop Art appeared first on ZO Magazine.

]]>

December | NOSTALGIA

Sociologically Subjective: Mom and Pop Art

By Tricia Stewart Shiu

Sociologically Subjective: Mom and Pop Art – Read by Tricia Stewart Shiu

“A revolution is on the way, and it’s partly because we no longer take our standards from the tweedy top. All over the country young girls are starting, shouting and shaking, and if they terrify you, they mean to and they are beginning to impress the world.”

Pauline Boty, The Public Ear, 1963

Simple and subjective, our upbringing can be a revolutionary, driving force or an authoritative, divisive wedge to artistic flow. Throughout the history of Pop Art, both masculine and feminine powers have defied and defined artistic sensibilities.

Mothers have had a profound influence in creative endeavors. Whether by actually creating Pop art or through motherly channel—that messy, one-of-a-kind, umbilical connection that has birthed some of the greatest artists and movements in history.

ARTISTIC ALLEGORY | LE MOT JUSTE

For example, the one and only female founder of British Pop Art, shook things up during her short time on earth (she passed at age 28). Pauline Boty (1938-1966) continued to create art through a pregnancy, cancer diagnosis during a pre-natal exam and birth of her daughter, sketching the Rolling Stones and releasing her final painting BUM, which was commissioned by Kenneth Tynan for “Oh, Calcutta!,” just months before her death. If you don’t, immediately, recognize her name, that is because her entire body of work was put in storage following her passing and was only released for exhibition after 1993. Boty, dubbed the “Mother of Pop Art,” delved deeply into the emotional undercurrent of society. What is most amazing, is that those themes, specifically the sexualization of women, are still, highly relevant today.

An article, “11 Female Artists Who Left Their Mark on Pop Art,” describes her art as: “Disorienting and experimental, Boty’s segment departed from those of her male compatriots—as did her practice. Rather than the cool detachment of a Warhol or Roy Lichtenstein, Boty’s works sprang from involved interest, referencing political subjects like the Cuban Missile Crisis.”

Although, there seem to be several “Fathers of Pop Art”—Richard Hamilton, Roy Lichtenstein and Andy Warhol, to name three—the latter, garners the title for stellar, motherly influences in “fatherly” artistic advances.

Because Warhol was sick, quite a bit, as a child, his mother would sit with him for hours and they would create art projects together. Julia Warhola, said, “I buy him comic books. Cut, cut, cut. Nice. Cut out pictures from comic books.”

Warhol’s complicated bond with his mother would go on to spark one of the most well-known Pop Art pieces of all time. “In fact, the most eminent of Andy’s imagery—Campbell’s tomato soup can—was drawn from the nostalgy of his mother giving it to him for lunch every day after school.

Following him to New York City, his mother continued to collaborate with her son as Warhol’s artistic star began to rise.

“Julia Warhola had artistic aspirations herself, but it was her son’s passion that she fostered from childhood,” says Katie White in, ‘Thanks, Mom! 6 Famous Artists Who Loved Their Mothers So Much They Made Them Their Creative Muses.’ “Occasionally, her own pieces were given their own platform, as with her publication Holy Cats—a book filled with her whimsically drawn depictions of beatific cats—which she signed, not with her own name, but as “Andy Warhol’s Mother.”

Sociologically speaking, parental influence is highly subjective and fraught with judgement and opinion with regard to Pop Art. The best part of any movement, is riding those waves of heated judgements and influential understandings while, each of us, remembers exactly from where we came. Remembering is the key.

The post NOSTALGIA — Mom and Pop Art appeared first on ZO Magazine.

]]>
17705