Winnie Luk Archives - ZO Magazine https://zomagazine.com/category/writers/winnie-luk/ Thu, 26 May 2022 00:42:13 +0000 en-US hourly 1 https://wordpress.org/?v=6.1.3 https://i0.wp.com/zomagazine.com/wp-content/uploads/2019/01/Separator-circle-w.jpg?fit=32%2C32&ssl=1 Winnie Luk Archives - ZO Magazine https://zomagazine.com/category/writers/winnie-luk/ 32 32 65979187 VINN WONG https://zomagazine.com/vinnwong/ Wed, 24 Apr 2019 20:21:17 +0000 http://zomagazine.com/?p=4101 The post VINN WONG appeared first on ZO Magazine.

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“Colour is the core of our visual language” — Vinn Wong

“Moonlit Shore”Brian Crain

VINN WONG

HAUNTED

Artists Statement

From About Page — Quiet Conversations — Vinn Wong:

Vinn started painting as a way to record his life in ways that words couldn’t. With a rocky childhood and also problems with self-acceptance, many deep emotions were bottled up and painting gave the artist a way to let it all out.

“It was like writing a diary knowing that nobody would be able to read your secrets, and it eventually became my one safe place to express my deepest insecurities and doubts.”

After years past by, Vinn’s art now always comes from a good place in his heart.

“It had helped me through the rough times and had given me a voice that comes from love and positivity. Painting has become a way for me to materialize verses of my life no matter good or bad into something beautiful.

“Surge” – © Vinn Wong
36.5x26x2cm Mixed Media on Wood Panel

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E-Interview by: WINNIE LUK

E-Interview by:
WINNIE LUK

1...How would you describe your style? How has your style evolved over time?

Timelessness — © Vinn Wong
73×51.5×2.5cm Mixed Media on Panel

Vinn: Abstract expressionism works are often distinguished for their impulsive traits. I was like that when I was younger. My works were gestural and full of impulses. Now however, my works are much more delicate, thought out, and meticulous. The way I like to paint requires much more patience. Each piece takes over a month to finish and I think this is majorly reflective of my maturity as a person.

2...What are you trying to communicate through your art?.

Utopia -Original Abstract — © Vinn Wong
73x103x3cm Mixed Media on Wood Panel

Vinn: My art always comes from a good place. I’d like to make people fall in love with colour by putting it front and center in my works. My works are also about discipline. Each piece requires meticulous blend work that is both time consuming and requires the utmost patience.

3...What is the one item you use in your work that you couldn’t do without?.

Vinn: I couldn’t go without my tissue paper for painting. I started painting with unconventional tools because I couldn’t afford a good brush. I was frustrated with how bristles kept coming off and so I started painting with other things. At first, it was a feather I picked off the road. Then it went on to spare sponges from my mother’s kitchen… even hammers…and now tissue paper.

I’ve been using them for so long that it has become a huge part of what I make. I’ve developed a touch and feel for them and now. The softness varies from type to type each giving a different look and I’ve been bringing colour to life with them ever since.

  • Distant Shores - © Vinn Wong

  • Enigma - © Vinn Wong

  • Haunted - © Vinn Wong

  • Healing Tide - © Vinn Wong

  • Timelessness - © Vinn Wong

Vinn Wong’s work can be viewed on the following sites:

vinnwong.com
Patreon

The post VINN WONG appeared first on ZO Magazine.

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TIFFANIE MANG https://zomagazine.com/tiffaniemang/ Wed, 24 Apr 2019 01:02:55 +0000 http://zomagazine.com/?p=4061 The post TIFFANIE MANG appeared first on ZO Magazine.

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TIFFANIE MANG

“A Gentle Dissolve”Thievery Corporation

Tiffanie is an illustrator and concept artist based in Los Angeles. A graduate from the University of Southern California with a BA in Animation and Digital Arts, her last job was working in Gdansk, Poland at Breakthru films as an animator on Loving Vincent, the world’s first fully hand painted feature film.

Now back in Los Angeles, Tiffanie works as a concept designer at BartKresa Studio, a leading 3-D projection mapping studio specializing in creating transformative experiences for shows all around the world. Always inspired by nature and the outdoors, Tiffanie’s main hobby and passion is plein air painting, which she also teaches classes for.

Painting above: Sunrise While Walking to Work © Tiffanie Mang

E-Interview by: WINNIE LUK

E-Interview by:
WINNIE LUK

1...From where do you draw inspiration? Is there a place you go to feel inspired? Who are some other artists, past or present, that you admire?

Tiffanie: I definitely draw inspiration from nature and architecture for my illustrations and plein air. I am always observing my surroundings, and often times when I get excited about certain lighting and colors at different times of a day, I build my story for an illustration around that. There is no set place I go to get inspired — I am always trying to find inspiration wherever I go.

There are so many artists who I admire and look up to. I love Sargeant, Sorolla, Schmidt, Monet, Turner, and Degas just to name a few. Contemporary artists that I look up to in animation and fine art are Pascal Campion, Mike Hernandez, Chris Appelhans, Tadahiro, Uesugi, Christophe Lautrette, Chien Chung Wei, Joseph Todorovitch, and Jeremy Lipking, Of course many more as well!

  • Air BnB View - © Tiffanie Mang

  • Aku Piece - © Tiffanie Mang

  • Carmel - © Tiffanie Mang

  • Elmat Noon - © Tiffanie Mang

  • Gdansk Clouds - © Tiffanie Mang

  • Newport Beach - © Tiffanie Mang

  • Sitting with Friends - © Tiffanie Mang

  • Us and the Moon - © Tiffanie Mang

  • © Tiffanie Mang

2. What is the greatest aspect of working as an artist?

You can create art ALL the time! There is no greater fun than that.

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3. What are you trying to communicate through your art?

© Tiffanie Mang

© Tiffanie Mang

I am always trying to tell a story that everyone can relate to in my art. If it is an illustration, I try to capture sweet, charming, or sentimental moments that I observed or felt, and create one image that tells a story with the composition, color, and lighting. With my plein airs, I always try to capture the atmosphere and lighting of the landscape in the brush strokes and color palette; I never try and replicate the colors that I see, but more like the colors I felt while observing the landscape and soaking in its beauty. I always try and experiment with different color harmonies to make colors vibrant against and sing with each other.

© Tiffanie Mang

© Tiffanie Mang

4. As an artist, what does “success” mean to you? “Creativity”?

Success to me is an ever-changing goal that I am always trying to reach as an artist. I believe that to be a successful artist, you should never consider yourself completely successful, but should always strive to push for something more. To attain success, I must push myself all the time to go out of my comfort zone. It does not necessarily mean just being “creative” when designing, but it is when I feel like I have put my soul and identity in the piece and have been true to the original concept I first brainstormed. When the emotion and message I am trying to convey is adherent in the brush strokes and color, that’s when I consider a piece a success.

5. What was it that made you decide to pursue art as a career?

I had been going to art classes since I was 6, so art was always in my life. However, I wasn’t sure I want to try and pursue art and animation as my career until I watched Avatar by Spielberg and was amazed at the visual effects of the film. While studying animation at the University of Southern California, I slowly discovered that my passion in the film industry was working as a visual development artist and brainstorming conceptual ideas during the early stages of creating a film.

During these last couple of years, I have gotten the privilege to study under various mentors who have helped me discover my passion for plein air painting and illustration even more. Now, I am currently working as a painter and animator on the film Loving Vincent with Breakthru films, where we are making the first fully hand painted feature film about the life of Van Gogh.

6. How would you describe your style? How has your style evolved over time?

© Tiffanie Mang

© Tiffanie Mang

I would describe my style as very loose, free, emotional, and organic. I used to love very detailed, intricate paintings but now I and attracted to pieces that carry the impression or essence of the subject. I am always inspired by color and light- I am constantly observing my surroundings and noticing how people interact, how the light is affecting the atmosphere, etc. My style is constantly evolving even though I don’t always notice it- I think as I technically improve in painting, I unexpectedly discover new fresh ways to put down brush strokes and experiment with different color palettes.

7. What are some of your favorite pieces, and why? Which is your most personal piece?

My favorite pieces are probably the ones that I resonated most with at the time I saw my inspiration. They are the ones that are not necessarily the most detailed or took longer to create- sometimes pieces that I whip out in an hour or two are the ones that I consider most successful. My favorite digital piece up to date is titled “An Artist’s’ Thoughts” (see slideshow below). It shows a girl sitting by a large window, notebook by her on the couch, gazing out through the rainy glass. I painted this one at a more darker time in my life, when I wasn’t sure what to do next and felt confused, but I felt something good was going to happen in the near future- I didn’t know what and when. I painted it spontaneously at a coffee shop, and was surprised at how many people connected with it, even though it wasn’t the most technically well executed piece.

8. What has been one of the most difficult aspects of working as an artist? What advice do you have for people experiencing similar difficulties?

Art is always difficult, and that is the beauty of it. The challenges one faces constantly trying to find his or her voice is what helps one grow stronger and squeeze the creativity juices. For me, one of the most difficult aspects is trying to find my personal style in my art after learning from so many amazing artists. Sometimes, my mind can be cramped when I like someone’s work too much, and I end up trying too hard to “copy” his or her style. In the end, the illustration turns out awful and I have spent more time trying to just be a replica of someone else. I have learned how valuable it is to take tips from people and soak in aspects of their work that I like, and then mold it into my own unique style.

In the working field, sometimes you cannot always paint in your style when the client is looking for something else. As an artist, one has to be flexible and adapt to many different styles. The more styles you can paint in, the more likely you are to be hired at different companies.

9. Where do you see yourself heading in the next 10 years?

That is a tricky question — right now I want to do so many things that I actually can’t quite decide. But I do know for sure that I want to work in the animation field for a bit more, teach classes in plein air painting, and eventually establish my own studio where I can create and art direct my own short or feature film.

  • Coffee Shop

  • Cloud Watching

  • An Artist's Thoughts

  • Lisbon

  • Morning Bookworm

  • Dogwalking

Trailer for Thralled (below) is an interactive experience that takes place in 1700’s Brazil and seeks to take the player on an allegorical and surreal journey of a runaway slave, Isaura, who searches for her baby son that was taken away from her.

More of Tiffanie’s work can be viewed at the following webpages:

TiffanieMang.Squarespace.com
Instagram
Facebook

All art on this page © Tiffanie Mang

*Please do not copy work from this website
and please do visit the artists’ pages for more info!

Tiffanie Mang is originally from San Diego, California. She is a graduate of USC with a major in Animation and Digital Arts.At the time of our first interview, her creative projects included working as Art Director and artist on Thralled, an award winning interactive experience on Mac, PC and Ouya — and an inspired stint working with Breakthru Films.

Update on her webpage: She’s a sucker for tiramisu, huskies, dark chocolate, croissants, and sunsets . . .

The post TIFFANIE MANG appeared first on ZO Magazine.

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Marion Costentin https://zomagazine.com/marioncostentin/ Mon, 22 Apr 2019 00:29:12 +0000 http://zomagazine.com/?p=3770 The post Marion Costentin appeared first on ZO Magazine.

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MARION COSTENTIN

Art above © Marion Costentin

Artists 2018 website update: I was born an Aquarius, in France, in 1988. ​For those of you who have been following me, I am thrilled to announce that my black phase is over and I am embracing color as a means to honor my personal growth and express myself truthfully. Darkness needs not be black. Emotions are beautiful. Memory is fascinating. I am now in a process of exploring and revealing the connections between childhood experiences and the development of the self, using shadow work and my own knowledge of transgenerational & personal trauma to trigger awareness of my own unconscious thoughts and behavioral patterns. I am also writing a collection of poems to complement my visual work and further reveal how, as an adult woman, my personal history continues to affect my life, my relationships as well as my physical and mental health.

“Silent Picture”Marc Poppcke

This is an interview with Marion Costentin done in 2016. ZO is a convergence of artists and although we may update artists’ information, it is important to us where we all were when we connected and we value and believe that a lot of artistry is timeless. It is a historical chronicle just as much as written language may be to us.

E-Interview by: WINNIE LUK

E-Interview by:
WINNIE LUK

1...How would you describe your style? How has your style evolved over time?

MARION: I would describe it as dark, romantic, dramatic – which is also how I would describe myself. At the moment I’m looking at ways to incorporate poetry to my work. Writing has become an integral part of my practice over the last months, allowing me to give a voice to many hidden aspects of my psyche.

2...What has been one of the most difficult aspects of working as an artist? What advice do you have for people experiencing similar difficulties?

MARION: Self-doubt, money troubles, anxiety, depression, to name a few. If you go through these repeatedly and still feel compelled to continue your work, congratulations, you are an artist. But if there is another, less painful way you can help the world, then by all means do that instead.

You made me wish I was butter

 

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3...What was it that made you decide to pursue art as a career?

“Experiments II”

MARION: I don’t think I ever made a choice. Art was always a part of my life, from an early age I was drawing, making things. If I picture myself in a different career, however interesting it might be, I know I would not reach the levels of fulfillment and joy that art provides for me. It’s impossible to get away from, it always has been.

4...As an artist, what does “success” mean to you? “Creativity”?

MARION: I will consider myself successful when I don’t need a day job to make rent at the end of the month, when my artist insecurity no longer affects my mental health, my work and my personal life, when I am able to look at my work and say “this is me”. Creativity as I experience it is an escape from yourself that draws you further back into yourself.

Experiments I

5...What are you trying to communicate through your art?

MARION: I remember reading something, I think it was from Anaïs Nin, about emotional excess being essential to creativity. I am hyper sensitive and art is my best tool to cope with the overwhelming range of feelings and sensations I go through each day. I understand art as a catalyst for emotion, a means to rid oneself of pain or rid the observer who, experiencing it, is forced to look within, sometimes unwittingly. Artists are narcissists with a purpose far greater than themselves.

6...What is the greatest aspect of working as an artist?

MARION: Art is fun and it’s torture at the same time. It is challenging on many levels. Choosing art as a medium for self-discovery is a brave act of love. It’s a never-ending exploration, when you think you finally have your answers you are ready to start digging deeper.

Marion’s work can be viewed at the following webpages:

MarionCostentin.com
Instagram
Twitter

Jellyfish Poem

The post Marion Costentin appeared first on ZO Magazine.

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FRÉDÉRIC BELAUBRE https://zomagazine.com/fredericbelaubre/ Sat, 20 Apr 2019 02:03:25 +0000 http://zomagazine.com/?p=3593 The post FRÉDÉRIC BELAUBRE appeared first on ZO Magazine.

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FRÉDÉRIC BELAUBRE

Artwork above 17. Huile sur toile – © Frédéric Belaubre

Belaubre’s website is in French and English, so by all means, please visit and enjoy in his native tongue if you are able. All of us at ZO really wish we spoke every language (instantaneously, of course, none of us has the time for such a feat – lol – to say the least).

Creating art is a mystical process. We encourage you to reach out to the artists that fit your tastes and make an investment in original pieces. Art collecting can be a little magical . . .

“Moonlit Shore”Brian Crain

Artwork above: “Spectators” – © Frédéric Belaubre.  Art in this feature includes oil paintings, inks, acrylics on paper, drawings and watercolours.

E-Interview by: WINNIE LUK

E-Interview by:
WINNIE LUK

1...What made you decide to pursue art as a career?

Frédéric: I only paint for my pleasure without thinking about a career. It so happened that wanting a few paintings for myself, I continued to paint with the hope that it will continue.

2...What are you trying to communicate through your art?

Frédéric: My feeling of lightness, luminosity of the world.

71. Barque,-29×42-cm

Detail of Silky Equilibrium 130 x 97 cm — © Frédéric Belaubre

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3...What is the greatest aspect of working as an artist?
Frédéric: The freedom. The pleasure to achieve a satisfactory result, by high standards.

Frederic Belaubre

4...As an artist, what does “success” mean to you? “Creativity”?

Frédéric: Success depends on so many random factors . . . I have the ambition to succeed with my painting at the time of working on it. Social success, if it arrives before the accomplishment of a deeper self, disrupts the path. It paralyses the possibilities, aspiring (relegating) an artist to repetition.

When the creativity is not in tune with the development, it slows the interior maturing of the being, it (then becomes) just a money game.

5...From where do you draw inspiration? Is there a place you go to feel inspired? Who are some other artists, past or present, that you admire?

Frédéric: My main source of inspiration lies in the work itself. Sometimes the images, generated by those already painted, come to me while walking. At the present time they are in me constantly, I live with a small inner museum of my works to come.

I admire all the painters, all the artists, who manage to create a truly personal work.

58. Acrylic-on-Paper-32-x-24-cm

6...How would you describe your style? How has your style evolved over time?

Frédéric: A kind of abstract expressionism in a search for lightness and transparency.

I’ve always practiced abstraction alongside the figurative work with a model, considering the reality as a source of a primary emotion. The more abstract my paintings become, the closer I feel to the emotion given to me by the real.

7...What are some of your favorite pieces, and why? Which is your most personal piece?

Frédéric: My latest paintings are what I naturally consider the closest to my actual sentiments. The next ones, that live in my head, will be even closer to me. It seems to me that what I am and what I am starting to be able to do, become more and more one and the same thing.

83. Acrylic-on-Paper-59,4-x-42-cm

8...What has been one of the most difficult aspects of working as an artist? What advice do you have for people experiencing similar difficulties?

Frédéric: For me one of the most difficult aspects has been to know what I am, to get rid of all the invasive and contradictory superego. To know what I want based on what I am, at the same time leaving a free field for the development of the being. Then to learn how to accomplish it technically.

Advice? Try to have enough self-confidence and aim to find in the depths of oneself what is unique that deserves to be painted, and that has never been done before by somebody else.

9...What is the greatest aspect of working as an artist?

Frédéric: The freedom. The pleasure to achieve a satisfactory result, by high standards.

10...Where do you see the field heading in the next 10 years?

Frédéric: No idea. I am not concerned about that.

All art featured in this interview © Frederic Belaubre
— Please do not copy art from this website —

7. Oil-on-Canvas-116-x-89-cm

136. Modesty-41-x-29-cm

Frédéric’s work can be viewed at the following website:

fredericbelaubre.com

All art © Frédéric Belaubre

The post FRÉDÉRIC BELAUBRE appeared first on ZO Magazine.

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Emily Scott https://zomagazine.com/emilyscott/ Sat, 20 Apr 2019 00:34:00 +0000 http://zomagazine.com/?p=3582 The post Emily Scott appeared first on ZO Magazine.

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EMILY SCOTT

“Back to Eden”Rutt

Emily Scott is originally from the beautiful and isolated Kootenai Valley in NW Montana and has recently returned from the UK to create from her new studio in San Antonio, Texas. She travels the world, seeking epic and everyday natural beauty. Self-taught and with her Irish grandmother’s early influence, Emily seeks to communicate the solace, calm, and intensity felt when listening to the sounds the earth makes . . .

ARTIST INTERVIEW

E-Interview by: WINNIE LUK

E-Interview by:
ZO | WINNIE LUK

ZO | WINNIE: 1...How would you describe your style and how has it evolved over time?

EMILY: Ethereal, mystical . . . I have become a lot more relaxed with my work over time, allowing pieces to develop organically rather than trying to be incredibly precise with every element and color. I love playing with depth and texture, and my color inclinations have muted with time as well.

Art Scarf by Scott Magone – Photo: Kalyn Palmer Caballero

ZO | WINNIE: 2...What are you trying to communicate through your art?

EMILY: That we are of nature. That nature is vital. That it is to be admired, valued and respected.

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ZO | WINNIE: 3...What is the greatest aspect of working as an artist?

© Emily Scott — Antelope Canyon II

EMILY: I get to paint pictures that appear in my head and people pay me for them. I get to hang out with my dogs and listen to music all day. If I need a health day, I take one. If a friend is in town, I get to love them all I want. I can grocery shop in the middle of the day when no one else is there. Life could not be more epic.

ZO | WINNIE: 4...As an artist, what does “success” mean to you? “Creativity”?

EMILY: Success to me is being able to do what brings me the most joy and leave positive ripples in the universe while feeling financially secure. Creativity is simply making something that didn’t exist before. I know for some it is harder than others, but to me it is just letting what appears in the mind out in physical form.

© Emily Scott — Mountain Triptych

ZO | WINNIE: 5...From where do you draw inspiration? Is there a place you go to feel inspired? Who are some other artists, past or present, that you admire?

© Emily Scott — Playa 7

EMILY: Nature. All nature.

I admire Monet’s work, and his disregard and rebellion against the established system. I love the work of Rachel Mia Allen, and Ansel Adams. I admire Ashley Longshore and what she has done for artpreneurs, and I love what Matt LeBlanc has done to bring his art to life on stage.

ZO | WINNIE: 6...What are some of your favorite pieces, and why? Which is your most personal piece?

EMILY: I love the soothing simplicity of the Playas, and the warm reminder of the beach that I was on while painting them. Both the Blue Mushrooms pieces make me super happy because mushrooms are so amazing and gorgeous. There are going to be many more mushroom paintings in the future. Antelope Canyon is important to me because it was the first piece I was really proud of. Backyard is definitely my most personal piece, I think because of the place I was mentally when I was working on it, and also because the finished piece just resonated with me so deeply. Lots of feels associated with that one.

ZO | WINNIE: 7...What has been one of the most difficult aspects of working as an artist? What advice do you have for people experiencing similar difficulties?

EMILY: Being patient, and persevering through the broke phase(s). It also took me a long time to be able to say “I’m an artist” when people ask what I do. As far as advice goes, I would just say to keep on working. Don’t slow down, don’t give up – if you put in the time and effort, you will be rewarded for it. Your business is only what you make it, and it never happens overnight. And be true to yourself, especially after you get to the point where you can afford to say no to certain projects that don’t align with your brand.

© Emily Scott  Wisteria

ZO | WINNIE: 8...Where do you see the field heading in the next 10 years?

EMILY: I think the traditional way of pursuing an art career via art school/galleries/representation is going to fade, as the internet takes over and individual artists can take charge of their careers. I think the newer generations of artists are going to have a leg up as well, being born into the technology and unfazed by the establishment as it has been.

Art in this interview © Emile Scott

Emily Scott Studio

*Please do not copy work from this website
and please do visit the artists’ pages for more info!

Emily’s work can be viewed on the following sites:

Emily Scott – Nature Artist
Instagram
Facebook

© Emile Scott

The post Emily Scott appeared first on ZO Magazine.

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Cassandra Tondro https://zomagazine.com/cassandratondro/ Fri, 19 Apr 2019 19:55:10 +0000 http://zomagazine.com/?p=3496 The post Cassandra Tondro appeared first on ZO Magazine.

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CASSANDRA TONDRO

The art above is from Cassandra Tondro’s “Peace Series.” ZO’s mission is to connect and stay connected to artists that are not only making art, but making a difference in our world. We will keep updated info for Cassandra at this feature page. Please return as we continue to follow her career and revisit her future work . . .

“Time”Paul Cardall

Artists Statement

It is my pleasure and joy to create art that supports your physical, emotional and spiritual health and well-being.

After three decades of studying healing and two decades creating art, I realized that the two were connected and merged them together to intentionally create healing art.

Research has shown that art in healthcare facilities can contribute to our health by reducing stress and anxiety, lowering blood pressure and reducing the need for pain medication. The healing effect of art extends to our home and workspace where art has been shown to increase productivity and feelings of well-being.

E-Interview by: WINNIE LUK

E-Interview by:
WINNIE LUK

1...What was it that made you decide to pursue art as a career?

It has always been my dream to be a professional artist, but I didn’t start out there! As a young adult I didn’t have the confidence that I would be able to earn a living from sales of my art, so I went into computer programming instead. After 18 years of that I opened a retail fiber art supply store, which was one step closer to my dream. Then I sold the store and took the plunge into being a full-time artist.

2. How would you describe your style? How has your style evolved over time?

My style is called “process painting” — I respond to the materials in the moment. When I start a painting, I have a general idea of what I want to do, but my methods don’t allow me to have complete control over the outcome. I enjoy the spontaneity of seeing what happens, and working with the results. I have always preferred abstract painting, and have used different methods of applying the paint over the years, including pouring, dripping, splattering, pulling and pressing it onto canvas. I work with an unusual material — leftover house paint — that has some unique properties.

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"Heartfeather," original abstract 36" x 12"

“Heartfeather,”
original abstract
36″ x 12″

3. From where do you draw inspiration? Is there a place you go to feel inspired? Who are some other artists, past or present, that you admire?

"Eucalyptus" leaf print on watercolor paper 10" x 8"

“Eucalyptus” leaf print
on watercolor paper
10″ x 8″

I draw my inspiration from the materials that I use and from nature. Sometimes my materials are nature, such as my leaf prints. My color schemes come from things I see in the natural world, as do many of my designs. I’m inspired by the way that the paint flows to create gorgeous patterns and the way the colors blend and separate. Other artists I admire are Gerhard Richter, Stanley Casselman, Ed Moses, Lee Mullican, and Jackson Pollock.

4. What has been one of the most difficult aspects of working as an artist? What advice do you have for people experiencing similar difficulties?

The most difficult aspect of working as an artist has been learning how to sell art. Successful artists used to be represented by galleries that sold their work for them. With the advent of the Internet, many galleries have gone out of business, and people now buy art directly from artists. Fortunately there are good books and online programs available that teach artists how to market and sell their own work.

Wearable Art

Wearable Art — Leaf Print Necklaces

5. What is the greatest aspect of working as an artist?

cassandra-tondro-s4

Having the freedom to be wildly creative every day! Part of my job is being visionary and coming up with brilliant new ideas, then I get to try them out. How fun is that?

6. What are you trying to communicate through your art?

Fun, spontaneity, happiness, joy, love. My intent is to create work that is both visually intriguing and uplifting — art that resonates with the deeper aspects of our souls.

CASSANDRA TONDRO
LIVING in the WOW!

Cassandra’s work can be viewed at the following website:

www.tondro.com

All art © Cassandra Tondro

Please do not copy artwork from this website.

Cassandra Tondro — “Carousel”

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