Turks and Caicos Islands Archives - ZO Magazine https://zomagazine.com/category/zzc/turks-and-caicos-islands/ Mon, 12 Jun 2023 14:56:06 +0000 en-US hourly 1 https://wordpress.org/?v=6.1.3 https://i0.wp.com/zomagazine.com/wp-content/uploads/2019/01/Separator-circle-w.jpg?fit=32%2C32&ssl=1 Turks and Caicos Islands Archives - ZO Magazine https://zomagazine.com/category/zzc/turks-and-caicos-islands/ 32 32 65979187 NOSTALGIA — Mom and Pop Art https://zomagazine.com/nostalgia-mom-and-pop-art/ Tue, 01 Dec 2020 02:58:30 +0000 http://zomagazine.com/?p=17705 The post NOSTALGIA — Mom and Pop Art appeared first on ZO Magazine.

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December | NOSTALGIA

Sociologically Subjective: Mom and Pop Art

By Tricia Stewart Shiu

Sociologically Subjective: Mom and Pop Art – Read by Tricia Stewart Shiu

“A revolution is on the way, and it’s partly because we no longer take our standards from the tweedy top. All over the country young girls are starting, shouting and shaking, and if they terrify you, they mean to and they are beginning to impress the world.”

Pauline Boty, The Public Ear, 1963

Simple and subjective, our upbringing can be a revolutionary, driving force or an authoritative, divisive wedge to artistic flow. Throughout the history of Pop Art, both masculine and feminine powers have defied and defined artistic sensibilities.

Mothers have had a profound influence in creative endeavors. Whether by actually creating Pop art or through motherly channel—that messy, one-of-a-kind, umbilical connection that has birthed some of the greatest artists and movements in history.

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For example, the one and only female founder of British Pop Art, shook things up during her short time on earth (she passed at age 28). Pauline Boty (1938-1966) continued to create art through a pregnancy, cancer diagnosis during a pre-natal exam and birth of her daughter, sketching the Rolling Stones and releasing her final painting BUM, which was commissioned by Kenneth Tynan for “Oh, Calcutta!,” just months before her death. If you don’t, immediately, recognize her name, that is because her entire body of work was put in storage following her passing and was only released for exhibition after 1993. Boty, dubbed the “Mother of Pop Art,” delved deeply into the emotional undercurrent of society. What is most amazing, is that those themes, specifically the sexualization of women, are still, highly relevant today.

An article, “11 Female Artists Who Left Their Mark on Pop Art,” describes her art as: “Disorienting and experimental, Boty’s segment departed from those of her male compatriots—as did her practice. Rather than the cool detachment of a Warhol or Roy Lichtenstein, Boty’s works sprang from involved interest, referencing political subjects like the Cuban Missile Crisis.”

Although, there seem to be several “Fathers of Pop Art”—Richard Hamilton, Roy Lichtenstein and Andy Warhol, to name three—the latter, garners the title for stellar, motherly influences in “fatherly” artistic advances.

Because Warhol was sick, quite a bit, as a child, his mother would sit with him for hours and they would create art projects together. Julia Warhola, said, “I buy him comic books. Cut, cut, cut. Nice. Cut out pictures from comic books.”

Warhol’s complicated bond with his mother would go on to spark one of the most well-known Pop Art pieces of all time. “In fact, the most eminent of Andy’s imagery—Campbell’s tomato soup can—was drawn from the nostalgy of his mother giving it to him for lunch every day after school.

Following him to New York City, his mother continued to collaborate with her son as Warhol’s artistic star began to rise.

“Julia Warhola had artistic aspirations herself, but it was her son’s passion that she fostered from childhood,” says Katie White in, ‘Thanks, Mom! 6 Famous Artists Who Loved Their Mothers So Much They Made Them Their Creative Muses.’ “Occasionally, her own pieces were given their own platform, as with her publication Holy Cats—a book filled with her whimsically drawn depictions of beatific cats—which she signed, not with her own name, but as “Andy Warhol’s Mother.”

Sociologically speaking, parental influence is highly subjective and fraught with judgement and opinion with regard to Pop Art. The best part of any movement, is riding those waves of heated judgements and influential understandings while, each of us, remembers exactly from where we came. Remembering is the key.

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The Age of Recognizance https://zomagazine.com/age-of-recognizance/ Thu, 30 Jul 2020 21:23:40 +0000 http://zomagazine.com/?p=13388 The post The Age of Recognizance appeared first on ZO Magazine.

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August | FULL BLEED

The Age of Recognizance

By Tricia Stewart Shiu

Full Bleed | The Age of Recognizance – Read by Tricia Stewart Shiu

How much do you trust yourself … to be trusted?

Imagine the following scenario:

[Insert Your Name] —  hereby released by the court of law on your own recognizance, to return, to this court, 30 days from now.

In this scenario, the court. the judge and the lawyers are trusting that you will return for your appointed court date. There are no shackles, there is no electric fence, there is only your word, that you will return.

According to Findlaw.com, “When a criminal suspect is arrested, booked and granted release on their “own recognizance,” or “O.R.,” no bail money is paid to the court and no bond is posted. The suspect is merely released after promising, in writing, to appear in court for all upcoming proceedings.”

Of course, this is only one example, but, there is a certain amount of trust that comes with any agreement.

ARTISTIC ALLEGORY | LE MOT JUSTE

“Society is a contract that we sign as human beings with each other,” Trevor Noah said in a video posted on The Daily Social Distancing Show on YouTube on May 29, 2020, titled, “George Floyd, Minneapolis Protests, Ahmaud Arbery & Amy Cooper.” “Whether spoken or unspoken, we agree in this group to common rules, common ideals, and common practices that are going to define us as a group … And the contract is only as strong as the people who abide by it.”

In every scenario and circumstance in our lives, there exist boundaries that we acknowledge and agree to. The edges of those boundaries can be tested, by us or others. Those very boundaries make life livable or unlivable for each of us and within those boundaries we can experience our own heaven or hell, sanctuary or cesspool.

The agreement to the boundaries is fluid and whether real or perceived there are certain hard and fast rules on which, we must agree. However, there are loads of unspoken rules that people, including ourselves, blindly follow merely because they’ve been there and it’s just too hard to change.

Some people live their lives at the very edges of those boundaries pressing up against them smashing them until they are bloodied and battle-worn, while others deepen their resistance and withdraw to their center of those boundaries, far away from clashes or anyone who might be pushing them to change.

We all have a purpose in life. Some people are born boundary pushers. You know the type, the kind of people who wish to see how far they can go before they’re stopped. Others find comfort In the routines set by those boundaries.

The challenge is living together.

Trevor Noah also said, “There is no contract, if law and people in power don’t uphold their end of it.” So, at some point, there will be a clash and whatever injustice appears, it must be addressed. Noah’s video certainly hit a nerve—receiving over 9 million views!

Trust is the main thread that runs through the principles of society.

Without trust, society faces cycle after cycle of unrest, as those who demand change bump up against those who see no reason for it. Coming to an agreement, a consensus, is only the beginning. Setting up rules doesn’t seem to be the problem, right now.

Change is scary. However, the question is, how long are those who wish for change to occur going to withstand injustices while others resist? Trusting and believing that those who set up, lead and enforce and agree to those rules will actually follow through with their promises.

As Noah said,

“… the contract is only as strong as the people who abide by it.”

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Do you trust yourself now?

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AUTONOMY https://zomagazine.com/autonomy/ Tue, 30 Jun 2020 22:10:50 +0000 http://zomagazine.com/?p=11545 The post AUTONOMY appeared first on ZO Magazine.

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July | AUTONOMY

Article: Strange Drain: When Enough is a Communal Effort

By Tricia Stewart Shiu

Earth Shadow” – Deuter

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Autonomy (Noun) — the right or condition of self-government. In developmental psychology and moral, political, and bioethical philosophy, autonomy is the capacity to make an informed, uncoerced decision. Autonomous organizations or institutions are independent or self-governing. Wikipedia.

There was a time when effort put forth would achieve an outcome, but all that has changed.

Goal setting, vision mapping, missions statements, affinity diagrams, prioritization matrices, and quadrant assessments, just don’t have the same meaning they once did, not so long ago.

It’s as if our world’s sense of cause and effect has developed a slow leak, our individual and global compasses are whirling uncontrollably and we are, collectively, awakening from a long-term toxic relationship. The trouble with any abusive bond, is that it works for some people—until, of course, it doesn’t. So, while some are bumping up against the hard edges of their own tolerance of injustice, others see no issue, at all.

It is interesting that the recent glaringly inhumane events, which occurred in the US, have sparked fury around the world.

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We are trying to change the world.

The current global outrage has resonated on a deeply personal level for many and although the governmental structures and judicial systems created in various countries are, decidedly, not human, the emotional chords struck by the iniquity connected therein, reaches humanity at a core level.

Right on cue, art has, like a cosmic pressure valve, emerged and diverged in some unique ways. Sculptures of leaders have spontaneously been erected or toppled, overnight. Portraits of past presidents have been used as expressions of praise, in the midst of hate speech. Video has opened our eyes to actual events, versus our idealistic imaginings.

All of this is art. Every bit of horror and humanity, fury and fortitude. It is the great equalizer, healer and expression of our collective experience.

With the toppling of ideas and ideals, structures and laws, comes a very individual understanding. We, none of us, are immune to what goes on around us and if we don’t, individually do our part, we fail.

Our “part” or contribution to stopping or sealing up that “drain” comes at a cost—it’s incredibly lonely work. Sometimes, we are not surrounded by like-minded individuals and must forge ahead, doing the internal shifting and learning before our external environment catches up.

Managing a relentless personal drain, can run much deeper, than merely, becoming less complacent. In fact, that sapping of energy and adrenal overload, is a part of a much larger, far-reaching modus vivendi—learned helplessness.

“Learned helplessness is a behavior pattern involving a maladaptive response characterized by avoidance of challenges, negative affect, and the collapse of problem-solving strategies when obstacles arise,” according to an article, “What is Learned Helplessness,” which details the origins of the term and the studies that detail the psychological elements connected, therein.

Understanding and clarifying the behavioral and emotional pieces of such an overwhelming sense of helplessness, is, at the very least, the first step in moving away from being mired in pain and ending the cyclical nature of the abuse.

“Three components are necessary for learned helplessness to be present: contingency, cognition, and behavior,” the article continues.

Contingency is espoused when one connects one’s actions with an environmental or external outcome—like asking for help and receiving advocacy. In learned helplessness, contingency becomes less clear, and one’s control over the outcome is nebulous. So, after asking for help and not receiving it, or receiving negative responses to one’s pleas for help, there is nothing that truly connects the cause and effect relationship. Cognitions, are the manner in which one understands and/or explains contingency or lack of outcome. The logic one might use to explain environmental contingencies connects the final component of learned helplessness—behavior. “Thus, learned helplessness exists in a situation in which there is no observable contingency and in which one expects that this uncontrollability will continue and behaves accordingly, such as by quitting.”

The systematic oppression of individuals and groups is directly related to learned helplessness, which is slowly showing up just as global atrocities are being spotlighted.

After all, not everyone is on the same page. When we speak up for ourselves over abuses we experienced in the past and are currently experiencing—even if everyone can’t fully comprehend or see them—and our pleas go unanswered and unheard, we experience a sense of hopelessness and helplessness.

We as individuals and as a global community are at a fork in the road. The choice to give up, in the face of adversaries and adversarial events or to continue on with a sense of agency. The journey may not be easy and the outcome may not be immediate, but the cost of quitting could far outweigh the benefits of communal unity.

Enough, is most certainly, enough.

MORE ARTISTIC ALLEGORY | LE MOT JUSTE

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